PreviewDescriptionArtistNotes
The Factory Village

by Julian Alden Weir

1897
oil on canvas
29 x 38 in. (73.7 x 96.6 cm)

Metropolitan Museum of Art

New York, NY

Weir, Julian Alden 
Mrs. Chase in Prospect Park

by William Merritt Chase

1886
Oil on panel
13 3/4 x 19 5/8 in. (34.9 x 49.9 cm)

Metropolitan Museum of Art

New York, NY

Chase, William Merritt 
Theodore Robinson

by Kenyon Cox

1878
Pencil on paper
11 x 8 1/2 in. (27.9 x 21.6 cm)

Metropolitan Museum of Art

New York, NY

Cox, Kenyon 
Stage Fort across Gloucester Harbor

by Fitz Hugh Lane

1862
oil on canvas
38 x 60 in. (96.5 x 152.4 cm)

Metropolitan Museum of Art

New York, NY

Lane, Fitz Hughnotes
between the meticulously painted foreground and the sheer plane of water to the horizon, this work marks the transition to Lane's final, taut, elemental style. The painting's almost surreal stillness and pink and golden glow create a hermetic, elegiac mood found in many of Lane's late works.
Connecticut Village (Going to School)

by Julian Alden Weir

after 1891
oil on canvas
24 1/8 x 20 1/8 in. (61.3 x 51.1 cm)

Metropolitan Museum of Art

New York, NY

Weir, Julian Alden 
The Golden State Entering New York Harbor

by Fitz Hugh Lane

1854
oil on canvas
26 x 48 in. (66 x 122 cm)

Metropolitan Museum of Art

New York, NY

Lane, Fitz Hugh 
Anna Dwight Weir Reading a Letter

by Julian Alden Weir

ca. 1890
Watercolor, gouache, black ink, and graphite on white woven paper
12 1/2 x 9 1/4 in. (31.8 x 23.5 cm)

Metropolitan Museum of Art

New York, NY

Weir, Julian Alden 
John Walsh

by John Neagle

ca. 1840
oil on canvas
36 x 29 in. (91.4 x 73.7 cm)

Metropolitan Museum of Art

New York, NY

Neagle, John 
The Green Bodice

by Julian Alden Weir

by 1898
oil on canvas
33 15/16 x 24 3/4 in. (86.2 x 62.9 cm)

Metropolitan Museum of Art

New York, NY

Weir, Julian Alden 
Reverend Samuel Brown Wiley

by John Neagle

1847
Oil, pen, and ink on paper
14 1/4 x 9 in. (36.2 x 22.9 cm)

Metropolitan Museum of Art

New York, NY

Neagle, John 
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