PreviewDescriptionArtist
Notes
Still Life With Wine Glass

by Raphaelle Peale

1818
Oil on panel
10 1/4 x 13 5/8 in. (26.0 x 34.6 cm) Framed: 15 7/8 x 19 3/8 x 2 1/4 in.

Detroit Institute of Arts

Detroit, MI

Peale, Raphaelle 
Self Portrait

by Rembrandt Peale

1828
oil on canvas
19 x 14 1/2 in. (48.3 x 36.8 cm) Framed: 25 5/16 x 20 9/16 x 3 1/2 in.

Detroit Institute of Arts

Detroit, MI

Peale, Rembrandt 
George Washington

by Rembrandt Peale

1795
oil on canvas
29 1/4 x 25 in. (74.3 x 63.5 cm) Framed: 37 3/4 x 33 1/8 x 3 in.

Detroit Institute of Arts

Detroit, MI

Peale, Rembrandt 
The Court of Death

by Rembrandt Peale

1820
oil on canvas
Framed: 152 x 295 x 7 in. ( 386.08 x 749.3 x 17.78 cm) 138 x 281 in. (350.5 x 713.7 cm)

Detroit Institute of Arts

Detroit, MI

Peale, Rembrandt 
Two Ruffed Grouse In Underbrush

by Rubens Peale

1864
oil on canvas
19 1/4 x 27 1/4 in. 48.9 x 69.2 cm Framed: 22 9/16 x 30 1/2 x 1 3/4 in.

Detroit Institute of Arts

Detroit, MI

Peale, Rubens 
After Night's Study

by John Frederick Peto

1890/1900
oil on canvas
14 1/4 x 20 in. (36.2 x 50.8 cm) Framed: 22 3/16 x 28 1/8 x 3 1/2 in.

Detroit Institute of Arts

Detroit, MI

Peto, John Frederick 
The Missing Vessel

by Frank Knox Morton Rehn

1884
oil on canvas
30 3/4 x 50 1/4 in. (78.1 x 127.6 cm) Frame: 49 x 69 x 5 1/4 in. (124.5 x 175.3 x 13.3 cm)

Detroit Institute of Arts

Detroit, MI

Rehn, Frank Knox Morton 
Scene At Giverny

by Theodore Robinson

1890
oil on canvas
16 x 25 3/4 in. 40.6 x 65.4 cm Framed: 29 7/16 x 39 3/8 x 2 3/8 in.

Detroit Institute of Arts

Detroit, MI

Robinson, Theodore 
The Refectory of San Damiano, Assisi

by Julius Rolshoven

c. 1907
oil on canvas
40 x 50 in. (101.6 x 127.0 cm) Framed: 51 5/8 x 61 3/4 x 3 3/4 in.

Detroit Institute of Arts

Detroit, MI

Rolshoven, Julius 
Madame Paul Poirson

by John Singer Sargent

1885
Oil on canvas
149.9 x 85 cm (59 x 33 1/2 in.)

Detroit Institute of Arts

Detroit, MI

Sargent, John Singernotes
In 1883 John Singer Sargent rented a studio owned by Paul Poirson. According to family history this portrait of Poirson's wife was done in lieu of a rent payment. Sargent's friendly relationship with the Poirsons made this work more personal than the business transaction might suggest. (dia.org7-1-2001) Notes Bibliography:    ...
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