PreviewDescriptionArtistNotes
Fish House Door

by John Frederick Peto

1905
oil on canvas
30 1/4 x 22 1/8 in. (76.835 x 56.2 cm)

Dallas Museum of Art

Dallas, TX

Peto, John Fredericknotes
An eel-fishers tools of the trade are the subject of this late still life by John Frederick Peto, a close associate of William Michael Harnett, the other great trompe loeil (fool the eye) still-life painter of the late 19th century. Peto often chose to represent doors with objects hanging on or tacked to them, such as in this work. He frequently...
A Saint

by John La Farge

Pastel and watercolor on paper
Overall: 24 1/4 x 19 3/8 in. (61.59 x 49.23 cm)

Dallas Museum of Art

Dallas, TX

La Farge, John 
Five Boys on a Wall

by Eastman Johnson

c. 1875-1880
Oil on composition board
Overall: 12 3/4 x 21 3/4 in. (32.38 x 55.24 cm)

Dallas Museum of Art

Dallas, TX

Johnson, Eastmannotes
to the United States after 1855, "the American Rembrandt"-as Johnson was called-enjoyed popular success for images of everyday life such as this one.
The Matterhorn

by Albert Bierstadt

ca. 1867.
Oil on paper mounted on canvas.
21 1/2 x 29 1/2 in. (cm. 54.6 x 74.9)

Dallas Museum of Art

Dallas, TX

Bierstadt, Albert 
Portrait of a Man

by John Wesley Jarvis

c. 1815-1820
oil on canvas
Overall: 32 3/8 x 27 3/8 in. (82.233 x 69.533 cm)

Dallas Museum of Art

Dallas, TX

Jarvis, John Wesleynotes
This portrait of an unknown gentleman, who is at once flashily self-assured and also slightly awkward, is a characteristic example of the work of John Wesley Jarvis.
Flat Iron Building

by Colin Campbell Cooper

1904
Casein on canvas
Overall: 48 3/4 x 28 7/8 in. (123.825 x 73.343 cm) Depth: 2 in. (5.08 cm)

Dallas Museum of Art

Dallas, TX

Cooper, Colin Campbell 
Benjamin Franklin Butler

by Chester Harding

c. 1833
oil on canvas
Overall: 27 x 21 3/4 in. (68.58 x 55.24 cm)

Dallas Museum of Art

Dallas, TX

Harding, Chesternotes
taught, Harding memorably described the excitement he felt after completing his first portrait in 1816:"The moment I saw the likeness I became frantic with delight: it was like the discovery of a new sense." By the time this portrait was made, Harding had spent three successful years in England and Scotland and had settled in Boston, where he enjoyed...
Commodore Trunnion and Jack Hatchway

by Francis William Edmonds

c. 1839
oil on canvas
Overall: 25 1/2 x 22 in. (64.77 x 55.88 cm)

Dallas Museum of Art

Dallas, TX

Edmonds, Francis Williamnotes
Credit Line: Dallas Museum of Art, gift of Maxus Energy and Nina B. Super by exchange, the Roberta Coke Camp Fund and the General Acquisitions Fund
Munich Still Life

by William Michael Harnett

1882
oil on canvas
Overall: 24 5/8 x 30 1/16 in. (62.548 x 76.36 cm)

Dallas Museum of Art

Dallas, TX

Harnett, William Michaelnotes
This still life is full of the everyday objects William Harnett would have known during his student days in Germany.The painting displays the meticulously detailed realism that marked Harnett's brief career. In the late 19th century, trompe l'oeil ("fool the eye") still lifes such as this were enormously popular with collectors and the public.
Shipbuilding

by Ernest Haskell

Drypoint
9 1/4 x 11 5/16 in. (23.49 x 28.73 cm)

Dallas Museum of Art

Dallas, TX

Haskell, Ernest 
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