| Preview | Description | Artist
![]() ![]() | Notes | Content |
|---|---|---|---|---|
![]() | The Torrent ca. 1900 Smithsonian American Art Museum Washington, D.C. | Twachtman, John Henry | GA | |
![]() | The White Bridge after 1895 Art Institute of Chicago Chicago, IL | Twachtman, John Henry | ![]() Ownership History: Alexander Morton, New York, by 1916; American Art Galleries, New York, 1916; Macbeth Galleries, New York, 1916; Mr. and Mrs. Martin A. Ryerson, Chicago, Ill.; 1916; bequested by them to the Art Institute, 1937. | GA |
![]() | Three Trees ca. 1888-1895 Brooklyn Museum New York, NY | Twachtman, John Henry | GA | |
![]() | Meadow Flowers (Golden Rod and Wild Aster) ca. 1892 Brooklyn Museum New York, NY | Twachtman, John Henry | ![]() re is no horizon or measured recession--resulting in a visual emphasis on the richly textured paint surface and the subtly animated pattern of the brushwork. The painting is further enriched by an opulent gilded frame designed by the architect Stanford White. | GA |
![]() | Misty May Morn 1899 Smithsonian American Art Museum Washington, D.C. | Twachtman, John Henry | GA | |
![]() | Niagara Falls ca. 1894 Smithsonian American Art Museum Washington, D.C. | Twachtman, John Henry | GA | |
![]() | On the Terrace ca. 1890-1900 Smithsonian American Art Museum Washington, D.C. | Twachtman, John Henry | ![]() he crisp white dresses echo the white flowers along the pathway and create an aura of innocence and purity around the young children and their mother. | GA |
![]() | Reflections ca. 1893-1894 Brooklyn Museum New York, NY | Twachtman, John Henry | GA | |
| Storm Clouds 1880 Cleveland Museum of Art Cleveland, OH | Twachtman, John Henry | GA | ||
![]() | Study of Landscape (Unfinished Perspective Study) ca. 1888-1895 Brooklyn Museum New York, NY | Twachtman, John Henry | ![]() In this particularly successful pastel, Twachtman allowed the gray paper to play an assertive role in a Whistlerian fashion. He anchored the composition with some limited outlines of rocks and trees, and otherwise described the open landscape with carefully placed but slightly brusque touches of pastel. | GA |
- American Impressionism















