PreviewDescriptionArtistNotesContent
After Sunset

1892.
oil on canvas.
107 x 137.4 cm.

Smithsonian Institution

New York, NY

Dewing, Thomas Wilmer GA
After the Storm, Yosemite Valley

1888
oil on canvas
106.68 cm (42 in.), Width: 136.53 cm (53.75 in.)

Anonymous Collection (2)

Unknown

Hill, Thomas GA
Afternoon by the Pond

oil on canvas
25 1/8 x 30 in.

The Phillips Collection

Washington, D.C.

Weir, Julian Alden GA
Afternoon by the River at Grez

October 1884
Oil on panel
6 11/16 x 11 7/8 in. (17 x 30.2 cm) Frame: 14 1/2 x 19 5/8 x 2 1/2 in. (36.8 x 49.8 x 6.4 cm)

Brooklyn Museum

New York, NY

Metcalf, Willard Leroy GA
Afternoon in September

1913.
oil on canvas.
25 1/4 x 30 1/4 in. (cm. 64.1 x 76.8)

Los Angeles County Museum of Art

Los Angeles, CA

Benson, Frank Westonnotes
Description: Portrait of two of the artist's daughters seated on a white bench in a landscape. The figure at left reads a book and the figure at right examines closely a piece of fabric.
GA
Against The Sky

1911
oil on canvas
82.6 x 66.4 cm (32 1/2 x 26 1/8")

Brigham Young University, Museum of Fine Arts

Provo, UT

Reid, Robert GA
Alaska Scene near Juneau

c.1894
Oil on paper
35.56 cm (14 in.), Width: 52.71 cm (20.75 in.)

Anonymous Collection (2)

Unknown

Hill, Thomas GA
Alma

ca. 1895-1900
oil on wood
20 x 15 5/8 in. (50.7 x 39.6 cm.)

Smithsonian American Art Museum

Washington, D.C.

Dewing, Thomas Wilmer GA
Along Indian River (Florida Cow, New Smyrna)

1923-1926
Oil; canvas
overall: 18 in x 24 1/2 in

Adams, John Ottisnotes
This painting depicts a field and stream scene. The stream begins in the bottom left corner and winds back to the center middle ground. A large tree sits on the bank to the right with more vegetation behind. The field and bank are covered with tall green grass. A tree line runs across the background and divides the field from the cloud filled sky....
Unrated
Along the Seine, Winter

1887
Oil on wood
Overall: 8 x 11 in. (20.32 x 27.94 cm)

Dallas Museum of Art

Dallas, TX

Hassam, Frederick Childenotes
his works of the 1880s and early 1900s. The dark clear colors of the Boston paintings are tempered by the pearlescent light of Paris, which Hassam conveys with a much looser, more fluid brush. The softness of color and touch echoes the mellow winter ambience of the City of Lights.
GA
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