| Preview | Description | Artist | Notes | Content |
|---|---|---|---|---|
![]() | Glimmer Glass 1895 Ball State Museum of Art Muncie, IN | Adams, John Ottis | Unrated | |
![]() | Grand Central Station 1909 Metropolitan Museum of Art New York, NY | Cooper, Colin Campbell | GA | |
![]() | Green and Gold by 1917 Metropolitan Museum of Art New York, NY | Dewing, Thomas Wilmer | Unrated | |
![]() | Haystacks at Edge of Woods ca. 1895 Smithsonian American Art Museum Washington, D.C. | Twachtman, John Henry | GA | |
![]() | Hemlock Pool ca. 1890-1900 Smithsonian American Art Museum Washington, D.C. | Twachtman, John Henry | ![]() John Twachtman painted this scene in all different seasons. He drew inspiration from his seventeen acres of land in Greenwich, Connecticut, and his paintings of the property express the emotional and spiritual comfort he found there. This image, likely made in autumn, shows a pond located behind his house at the bottom of a steep incline along the... | GA |
![]() | Her First Born 1888 Brooklyn Museum New York, NY | Reid, Robert | GA | |
![]() | High Bridge, New York 1905 Metropolitan Museum of Art New York, NY | Ranger, Henry Ward | GA | |
| Hillside Pastures - September 1922 Metropolitan Museum of Art New York, NY | Metcalf, Willard Leroy | GA | ||
![]() | Hunter and Dogs oil on canvas Smithsonian American Art Museum Washington, D.C. | Weir, Julian Alden | GA | |
![]() | Icebound c. 1889 Art Institute of Chicago Chicago, IL | Twachtman, John Henry | ![]() Ownership History: John Forsythe, New York, by 1913; American Art Association, New York, 1913; N.E. Montross Gallery, New York, 1913; sold by them to the Art Institute, 1917. | GA |
- American Impressionism













