| Preview | Description | Artist
  | Notes | Content |
|---|---|---|---|---|
 | A Vision of the Past 1913 Butler Institute of American Art Youngstown, OH | Couse, Eanger Irving |  In "A Vision of the Past", Couse contrasted the past and present, suggesting that the future held little promise for tribal culture. In doing so, he contributed to a tradition of imagery first popular in the 1830s, that of the vanishing race of "doomed" Native Americans. | GA |
 | Chief Shoppenegons 1910 Detroit Institute of Arts Detroit, MI | Couse, Eanger Irving | GA | |
 | The Peace Pipe c. 1902 Metropolitan Museum of Art New York, NY | Couse, Eanger Irving | GA | |
 | Elk-Foot of the Taos Tribe 1909 Smithsonian American Art Museum Washington, D.C. | Couse, Eanger Irving | GA | |
 | Making Pottery 1912 The Terra Foundation for American Art Chicago, IL | Couse, Eanger Irving | GA | |
 | John Eliot Preaching to the Indians Ink washes, graphite, gum arabic, and sgraffito on smooth-surfaced off-white woven paper Metropolitan Museum of Art New York, NY | Darley, Felix Octavius | GA | |
 | Indian Encampment In The Sierras oil on canvas laid on wood Private Collection Unknown, USA | Holdredge, Ransome Gillet | GA | |
 | Landscape With Indian Encampment c. 1880 Jackson Hole Art Auction Jackson, WY | Holdredge, Ransome Gillet | GA | |
 | Camp of the Paleface 1917 Anonymous Collection (2) Unknown | Johnson, Frank Tenney | GA | |
 | The Last Shot 1902 Anonymous Collection (2) Unknown | Johnson, Frank Tenney | GA |
- Native Americans In 19th-Century Paintings
