Artists
Name | Info
![]() ![]() | Years | Updated by | Date |
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Smith, Joseph B. | ![]()
A
traditional American marine artist in ever sense, it
is unusual for an artist to exhibit such a high level of quality, which Joseph
B. Smith does, and have only two dozen or so known surviving works to his
credit. The majority of works were performed in conjunction with his son,
William S. Smith; born in 1821. Their partnership appears to have... | 1796 - 1876 | Anonymous | 05/22/2012 |
Stearns, Junius Brutus | ![]()
Junius
Brutus Stearns (born Lucius Sawyer Stearns) (1810, Arlington, VT — 1885,
Brooklyn, NY ) was an American painter best known for his five part Washington
Series (1847–1856).[1]
He was member
of the National Academy of Design for several decades and member of its
Council. His painting The Millennium was submitted as credentials for... | 1810 - 1885 | Anonymous | 04/11/2012 |
Stanley, John Mix | ![]()
John Mix
Stanley (January 17, 1814 – April 10, 1872) was an artist-explorer, an
American painter of landscapes, and Native American portraits and tribal life.
Born in the Finger Lakes region of New York, he started painting signs and
portraits as a young man, but in 1842 traveled to the American West to paint
Native American life. In 1846 he... | 1814 - 1872 | Anonymous | 04/12/2012 |
Sloan, Junius R. | ![]()
Junius'
connection with Kewanee began in 1853 when his parents purchased 500 acres in
Wethersfield and Kewanee townships. It was one year before the founding of
Kewanee, but parents Seymour and Drusilla Sloan certainly knew the railroad was
on its way and that their investment in Illinois farmland had a promising
future.
The Sloans
came from... | 1827 - 1900 | Anonymous | 05/22/2012 |
Smibert, John | ![]()
John
Smybert (or Smibert) (1688–1751), Scottish American artist, was born in
Edinburgh and died in Boston, Massachusetts.
Smibert began
drawing while apprenticed as a painter and plasterer, on moving to London he
worked as a painter of coach carriages and a copyist. He studied under Sir
James Thornhill at his academy, then travelled to Edinburgh... | 1688 - 1751 | Anonymous | 04/11/2012 |
Spencer, Lilly Martin | ![]()
Lilly
Martin Spencer (born Angelique Marie Martin) (November 26, 1822 – May 22,
1902) was one of the most popular and widely reproduced American female genre
painters in the mid-nineteenth century. She painted domestic scenes, women and
children in a warm happy atmosphere. Although she did have an audience for her
work Spencer had difficulties... | 1822 - 1902 | Anonymous | 04/12/2012 |
Stark, Otto | ![]()
Otto Stark
(1859–1926) was an American Impressionist painter who was considered to
be a member of the Hoosier Group of Indiana artists. Stark's work most clearly
showed the influence of Impressionism, and he often featured children in his
work.
He began
his career as a commercial woodcarver's apprentice in Indianapolis until an
ankle injury... | 1859 - 1926 | Anonymous | 11/17/2012 |
Smith, Royall Brewster | ![]()
Born in
Buxton, Maine, 7 August 1801, the artist was probably named after the Smith
family's physician, Dr. Royal Brewster. As the eleventh of fourteen children of
John McCurdy and Elizabeth McLellan Smith, Royall
successfully survived a childhood of limited financial means and some illness
to become a successful artisan.
Between
1830 and 1837,... | 1801 - 1855 | Anonymous | 05/22/2012 |
Skynner, Thomas | ![]()
Virtually
nothing is known about Thomas Skynner, although a
significant body of work is now associated with his name. The attribution to Skynner of two pairs of portraits at the National Gallery
(John Stone, 1953.5.55; Eliza Welch Stone, 1953.5.56; Portrait of a Man,
1967.20.4; Portrait of a Woman, 1967.20.5) was made on the basis of... | Born 1840 | Anonymous | 05/22/2012 |
Smith, Thomas | ![]()
Thomas
Smith was a seventeenth-century Anglo-American mariner and artist. He is the
earliest painter in New England for whom a specific canvas can
be—identified his self-portrait (fig. 1). Based on stylistic similarities
to that painting, five additional surviving works have been attributed to
Smith. Besides his role as an artist, interpretations... | 1650 - 1691 | Anonymous | 05/22/2012 |