| Preview | Description
  | Notes | Content | Updated by |
|---|---|---|---|---|
 | Approaching Thunder Storm 1859 Metropolitan Museum of Art New York, NY | GA | Anonymous | |
 | April Showers 1868 Museum of Fine Arts Boston, MA |  Unlike Heade's unusual choice of the marshes, this landscape is a more traditional one, but he portrayed the passing effects of a rain shower in a highly original fashion. He minimized the contrast of values and loosened his paint handling to suggest the transient effects of light and atmosphere, something he would explore in depth in his marsh scenes. | GA | Anonymous |
 | Coast of Jamaica 1874 Museum of Fine Arts Boston, MA | GA | Anonymous | |
 | Hummingbird and Apple Blossoms 1875 Metropolitan Museum of Art New York, NY | GA | Anonymous | |
 | Hummingbird and Passionflowers oil on canvas Metropolitan Museum of Art New York, NY | GA | Anonymous | |
 | Hummingbirds and Orchids 1880s Detroit Institute of Arts Detroit, MI | GA | Anonymous | |
 | Hummingbirds with Nest 1863 Museum of Fine Arts Boston, MA | GA | Anonymous | |
 | Magnolia Grandiflora oil on canvas Museum of Fine Arts Boston, MA | In the late 1880s, after settling in Florida, Heade painted a series of "reclining" magnolias. In these canvases, he contrasted the milky-white petals and glossy, green leaves of the indigenous "Magnolia grandiflora" to the rich texture and color of the velvet. One critic likened these sensuous works to "odalisques on a couch." | GA | Anonymous |
 | Magnolias on Light Blue Velvet Cloth 1885/95 Art Institute of Chicago Chicago, IL | GA | Anonymous | |
 | Mary Rebecca Clark 1857 Museum of Fine Arts Boston, MA | GA | Anonymous |
- Martin Johnson Heade
