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 | Hollyhocks ca. 1922-1923 Butler Institute of American Art Youngstown, OH |  Hollyhocks is a particularly captivating example of Philip Leslie Hale's decorative Impressionism. Depicting healthy, sun-drenched young women engaged in genteel leisure activities outdoors, Hale, a well-known Boston painter, art critic, and unofficial spokesman for the Boston School, was drawn, as were many of his peers, to this theme and style.... | Unrated | igrkio |
 | Niagara Falls 1902 Metropolitan Museum of Art New York, NY | Unrated | igrkio | |
 | Girls in Sunlight 1895 Museum of Fine Arts Boston, MA | Unrated | igrkio | |
 | Head of an Aviator about 1920–30 Museum of Fine Arts Boston, MA | Unrated | igrkio | |
 | Portrait of a Woman in a Hat, Seated with Hands Folded 1921 Museum of Fine Arts Boston, MA | Unrated | igrkio | |
 | Half-portrait of a Woman Holding Pearls 1921 Museum of Fine Arts Boston, MA | Unrated | igrkio | |
 | Self Portrait about 1915 Museum of Fine Arts Boston, MA | Unrated | igrkio | |
 | Folly Cove about 1900 Museum of Fine Arts Boston, MA | Unrated | igrkio | |
 | Landscape about 1890 Museum of Fine Arts Boston, MA | "Landscape" is perhaps Philip Leslie Hale's most progressive painting, reflecting his awareness of Monet's move to more abstract subjects (in his series of poplar paintings, for instance) and of the Nabis, a French movement that sought to disavow academicism in favor of the more decorative aspects of art. Led by Paul Serusier, Maurice Denis, Pierre... | Unrated | igrkio |
 | French Farmhouse about 1893 Museum of Fine Arts Boston, MA | Unrated | igrkio |
- Philip Leslie Hale
