| Preview | Description
  | Notes | Content | Updated by |
|---|---|---|---|---|
 | Edward Parkman ca. 1825 Metropolitan Museum of Art New York, NY | Unrated | Anonymous | |
 | Eleanor Bailey about 1830 Museum of Fine Arts Boston, MA | Unrated | Anonymous | |
 | Emily Appleton ca. 1844 Smithsonian American Art Museum Washington, D.C. |  This miniature of Emily Appleton (1821-1844) in inscribed on the back of the locket with her name and death date, and includes a lock of the young woman’s hair. These clues suggest that this is a memorial miniature. | Unrated | Anonymous |
 | Gilbert Stuart ca. 1825 Metropolitan Museum of Art New York, NY | Unrated | Anonymous | |
 | Gilbert Stuart (1) 1825-1827 Smithsonian American Art Museum Washington, D.C. | Sarah Goodridge painted this miniature at the request of Gilbert Stuart (1755-1828), who believed no one else could capture the essence of his personality. He declared it the "only true likeness" of him, and valued this work so much that he presented it to his mother, adorned with a bracelet woven from his own, and his wife's, hair. According to... | Unrated | Anonymous |
 | Henry Codman 1820s Museum of Fine Arts Boston, MA | Unrated | Anonymous | |
 | Joseph Willard about 1830 Museum of Fine Arts Boston, MA | Unrated | Anonymous | |
 | Martha Harris Tufts 1843 New York Historical Society New York, NY | Unrated | Anonymous | |
 | Mr. Osgood 1830–35 Museum of Fine Arts Boston, MA | Unrated | Anonymous | |
 | Mrs. Eben Goodrich (Lydia Ann Bailey) 1823 Museum of Fine Arts Boston, MA | Unrated | Anonymous |
- Sarah Goodridge
