| Preview | Description
  | Notes | Content | Updated by |
|---|---|---|---|---|
 | Martha Tennent Rogers (Mrs. David Rogers) And Her Son, Probably Samuel Henry Rogers 1788 National Gallery of Art Washington, D.C. | Unrated | Anonymous | |
 | Master Rees Goring Thomas ca. 1783–84 Metropolitan Museum of Art New York, NY | Unrated | Anonymous | |
 | Mrs. Joseph Wright 1792 Smithsonian American Art Museum Washington, D.C. | Unrated | Anonymous | |
 | Mrs. Noah Smith And Her Children 1798 Metropolitan Museum of Art New York, NY | Unrated | Anonymous | |
 | Mrs. Richard Alsop 1792 Smithsonian American Art Museum Washington, D.C. | Unrated | Anonymous | |
 | Mrs. Williams 1837 Metropolitan Museum of Art New York, NY | Unrated | Anonymous | |
 | Noah Smith 1798 Art Institute of Chicago Chicago, IL |  Ownership History: Noah Smith, Bennington, Vermont, 1798; by descent to Eliza Smith, Huntington, Vergennes, Vermont, 1812. Ann Eliza Huntington, Vergennes, Vermont, by 1912; John Harrington, Vergennes, Vermont, from 1912; bequeathed to Grand Lodge of the Most Ancient and Honorable Society of Free and Accepted Masons of the State of Vermont,... | Unrated | Anonymous |
 | Portrait Of A Connecticut Clockmaker ca. 1800 Smithsonian American Art Museum Washington, D.C. | Ralph Earl was born into a prominent family of craftsmen, and his portraits are painted with sharp attention to detail. In this painting the subject sits in a Sheraton “fancy” armchair, a type that was especially popular in the Connecticut Valley, where Earl worked. The wooden clock on the tea table might be a kind of clock that was developed in... | Unrated | Anonymous |
 | Portrait Of A Connecticut Clockmaker's Wife ca. 1800 Smithsonian American Art Museum Washington, D.C. | This painting of a Connecticut clockmaker’s wife was meant to hang to the right of her husband’s portrait, preserving their images and values for subsequent generations. Ralph Earl showed her holding a book, possibly a Bible, as a sign of piety and literacy. The drapery in the background was a compositional device that the artist learned when he... | Unrated | Anonymous |
 | Robert Boyd 1788 Brooklyn Museum New York, NY | Unrated | Anonymous |
- Ralph Earl
