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55-59 Maiden Lane, New York, New York

1851
Watercolor, gouache, and graphite on paper mounted to card
Overall: 10 5/8 x 13 3/4 in. ( 27 x 34.9 cm )

New York Historical Society

New York, NY

notes
Cityscape: This view of 55-59 Maiden Lane, between Nassau and William streets. The names indicated on signboards designate the places of business of John Bucklass, tailor; Simon P. Shaffer, hosier; Gustavus F. Meyer, toys; and Narice Godart "from Paris", a dealer in fancy baskets. These names do not all appear in the 1851 New York directory, and then...
UnratedAnonymous
Barracks At Fort Pitt

Watercolor and graphite on smooth-surfaced white woven paper
6 1/8 x 4 1/2 in. (15.6 x 11.4 cm)

Metropolitan Museum of Art

New York, NY

 UnratedAnonymous
Bearded Man In Tall Hat And Long Coat

November 19, 1851
Watercolor over graphite on paper
Sheet: 24.3 x 18.9 cm (9 9/16 x 7 7/16 in.)

Museum of Fine Arts

Boston, MA

 UnratedAnonymous
Couple Seen Below A Poster For The School Of The Watercolor Society

1853
Watercolor on paper
Sheet: 26 x 19 cm (10 1/4 x 7 1/2 in.)

Museum of Fine Arts

Boston, MA

 UnratedAnonymous
Lake Scene With Trees

1854
Pen and brown ink on white woven paper
3 x 2 1/2 in. (7.6 x 6.4 cm)

Metropolitan Museum of Art

New York, NY

 UnratedAnonymous
Landscape--with Brooklyn Bridge

Etching
234.0 x 350.0 mm

Museum of Fine Arts

Boston, MA

 UnratedAnonymous
Man Reclining

March 1852
Watercolor and graphite on paper
Sheet: 19.1 x 25.5 cm (7 1/2 x 10 1/16 in.)

Museum of Fine Arts

Boston, MA

 UnratedAnonymous
Montmorency Falls, Canada

1850
Watercolor, gouache, and graphite on light brown woven paper
13 15/16 x 9 7/8 in. (35.4 x 25.1 cm)

Metropolitan Museum of Art

New York, NY

 UnratedAnonymous
Negro Huts At Wilmington, North Carolina

1880
Etching
3 7/8 X 5 7/8 in.

Private Collection

Unknown, USA

notes
John Mackie Falconer's original etching, "Negro Huts at Wilmington, North Carolina" is printed upon fine hand made, laid paper and with full margins as published by the "American Art Review" in 1880 and is signed in the plate by the artist. "Negro Huts at Wilmington, North Carolina" is a poignant study of impoverished living conditions in the post...
UnratedAnonymous
The Building Of Brooklyn Bridge

Mixed manner, Roulette work
Platemark: 9.4 x 6 cm (3 11/16 x 2 3/8 in.) Sheet: 18 x 11.8 cm (7 1/16 x 4 5/8 in.)

Museum of Fine Arts

Boston, MA

 UnratedAnonymous
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