PreviewDescription
NotesContentUpdated by
He Was The Law (Billy The Kid)

1901
Oil on canvas
68.6 x 102.2 cm (27 x 40 1/4 in.)

Art Institute of Chicago

Chicago, IL

 UnratedAnonymous
Historians Of The Tribe

1890/99
oil on canvas
62.2 x 111.4 cm (24 1/4 x 43 7/8 in.)

Art Institute of Chicago

Chicago, IL

 UnratedAnonymous
Moonlight Wolf

ca. 1909
oil on canvas
20 1/16 x 26 in.

Addison Gallery of Art

Andover, MA

notes
Description: Moonlit andscape depicting a wolf, his gaze turned toward the viewer as he walks on the shore of a still river in the mountains.
UnratedAnonymous
On The Southern Plains

1907
oil on canvas
30 1/8 x 51 1/8 in. (76.5 x 129.9 cm)

Metropolitan Museum of Art

New York, NY

 UnratedAnonymous
Pretty Mother Of The Nightwhite Otter Is No Longer A Boy

ca. 1900
Oil
no dimensions avaliable

Private Collection

Unknown, USA

notes
Not long after seeing the Peters exhibition, Remington completed two nocturnes of his own. Both were intended to serve as illustrations for a novel he had recently written titled The Way of an Indian. Both were also transitional works, for they were dependent upon text for their full meaning. In the more striking of the two images, "Pretty Mother of...
UnratedAnonymous
Shotgun Hospitality

1908
oil on canvas
27 x 40 in. (68.6 x 101.6 cm)

Hood Museum of Art, Dartmouth College

Hanover, NH

 UnratedAnonymous
The Advance Guard

ca. 1888
watercolor
sight: 22 7/8 x 20 7/8 in. (58.1 x 53.0 cm) frame: 30 1/4 x 28 1/2 in. (76.8 x 72.4 cm)

Smithsonian American Art Museum

Washington, D.C.

 UnratedAnonymous
The Advance-guard, Or The Military Sacrifice (The Ambush)

1890
oil on canvas
87.3 x 123.1 cm (34 3/8 x 48 1/2 in.)

Art Institute of Chicago

Chicago, IL

notes
Ownership History: Frederic Remington, 1890; E.H. Wales, 1893. George F. Harding Museum, Chicago, by 1982; given to the Art Institute, 1982
UnratedAnonymous
The Blanket Signal

1909
Oil on canvas
68.58 x 101.6 cm (27 x 40 in.)

Museum of Fine Arts

Boston, MA

 UnratedAnonymous
The End Of The Day

c. 1904
Oil
no dimensions avaliable

Frederic Remington Art Museum

Ogdensburg, NY

notes
Later, after a recuperative trip to Montana and Wyoming, he returned to the western subject matter he had so successfully made his own prior to the outbreak of war. Informed by his recent experience, however, these "western" paintings are far different in character from those that had come before.
UnratedAnonymous
You are redirected to this page because your browser does not accept cookies and/or does not support Javascript. Please check your browser settings and try again.