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Bridge At Ipswich

about 1905
oil on canvas
61.59 x 76.2 cm (24 1/4 x 30 in.)

Museum of Fine Arts

Boston, MA

 UnratedAnonymous
Brook, Giverny

1887
oil on canvas
Image: 28 1/2 x 35 5/8 in. (72.4 x 90.5 cm) Frame: 38 5/16 x 45 in. (97.3 x 114.3 cm)

The Terra Foundation for American Art

Chicago, IL

 UnratedAnonymous
Flowering Fields, Giverny

1889
oil on canvas
Image: 12 1/2 x 21 5/8 in. (31.8 x 54.9 cm) Frame: 20 3/16 x 29 3/8 in. (51.3 x 74.6 cm)

The Terra Foundation for American Art

Chicago, IL

 UnratedAnonymous
Giverny Farm

ca. 1886
oil on canvas mounted on woodboard
14 15/16 x 17 15/16 in. (38 x 45.5 cm)

Brooklyn Museum

New York, NY

notes
Although his work is little known today, Theodore Wendel belonged to the first wave of American Impressionists. This small band, also including Theodore Robinson, painted in France at Giverny in the 1880s and knew Claude Monet, who converted the Americans to the still-young French movement. This small landscape of an open field populated with...
UnratedAnonymous
Gloucester Harbor

between 1900 and 1915
oil on canvas
Image: 19 1/2 x 35 1/4 in. (49.5 x 89.5 cm) Frame: 41 x 46 3/4 x 1 3/4 in. (104.1 x 118.7 x 4.4 cm)

The Terra Foundation for American Art

Chicago, IL

 UnratedAnonymous
Ipswich Landscape

oil on canvas
22 x 30 in. (56 x 77 cm.)

Private Collection

Unknown, USA

 UnratedAnonymous
Portrait Of A Moroccan Youth

1886
oil on canvas
24 x 18 in. (61 x 45.7 cm.)

Private Collection

Unknown, USA

notes
Sale Information: Sale 1895; 19th Century European Art and Orientalist Art; 24 October 2007; New York, Rockefeller Plaza
UnratedAnonymous
Snow Scene

about 1889
Pastel and graphite on paperboard
31.75 x 39.37 cm (12 1/2 x 15 1/2 in.)

Museum of Fine Arts

Boston, MA

 UnratedAnonymous
Spring Landscape

oil on canvas laid down on board
14 x 20 in. (35.6 x 50.8 cm.)

Private Collection

Unknown, USA

 UnratedAnonymous
The Butterfly Catchers

1900-1908
oil on canvas
25 x 35 in. (63.5 x 88.9 cm)

Minneapolis Institute of Arts

Minneapolis, MN

notes
The Butterfly Catchers was executed at Wendel's farm in Ipswich, Massachusetts, and includes the artist's son and daughter in the foreground. The work exhibits those aspects that characterize the artist's highly personal style - a high-key color palette, sketchy, textural, handling of paint, and direct observation. The result is the convincing...
UnratedAnonymous
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