| Preview | Description
  | Notes | Content | Updated by |
|---|---|---|---|---|
 | At The Base Of The Cliff 1908 Seattle Art Museum Seattle, WA | Unrated | Anonymous | |
 | Breakers At Floodtide 1909 Butler Institute of American Art Youngstown, OH |  Breakers at Floodtide is an accomplished, ambitious seascape, painted shortly after his return from Europe. The expressive and realistic effects were the result of Waugh's exhaustive study of light, shadow, and motion of waves breaking on rocky shores. As he wrote, "one should not conflict actualities in nature with artistic representation.... It is... | Unrated | Anonymous |
 | Landscape Oil on Masonite panel North Carolina Museum of Art Raleigh, NC | Unrated | Anonymous | |
 | Lifting Gale Circa 1910 Farnsworth Art Museum Rockland, ME | Unrated | Anonymous | |
 | Looking West, St. Ives 1896 Transco Energy Company Houston, TX | Unrated | Anonymous | |
 | Rocks And Surf oil - masonite board Canton Museum of Art Canton, OH | Single wave and breakers on rocky shore to right with quiet pool in lower left-hand corner; gray-greenish aqua sky late afternoon. | Unrated | Anonymous |
 | Southwesterly Gale, St. Ives 1907 Smithsonian American Art Museum Washington, D.C. | Unrated | Anonymous | |
 | The Great Deep 1909 Brooklyn Museum New York, NY | Unrated | Anonymous | |
 | The Knight Of The Holy Grail ca. 1912 Smithsonian American Art Museum Washington, D.C. | Unrated | Anonymous | |
 | The Roaring Forties 1908 Metropolitan Museum of Art New York, NY | Unrated | Anonymous |
- Frederick Judd Waugh
