| Preview | Description | Notes
  | Content | Updated by |
|---|---|---|---|---|
 | Domestic Happiness 1849 Detroit Institute of Arts Detroit, MI | Unrated | Anonymous | |
 | Conversation Piece ca. 1851–52 Metropolitan Museum of Art New York, NY | Unrated | Anonymous | |
 | Kiss Me And You'll Kiss The 'Lasses 1856 Brooklyn Museum New York, NY |  Standing amidst a bountiful harvest of fruits in a well-appointed bourgeois interior, the woman pictured here turns from her work to engage an unseen interloper (placed in the position of the viewer) in a playful flirtation. As the title implies, if the interloper tries to kiss her, he will receive a dousing of molasses from the spoon in her hand.... | GA | Anonymous |
 | The Dogged Class 1885 Cincinnati Art Museum Cincinnati, OH | The Dogged Class depicts a sumptuously dressed girl leading her “pupils” in a lesson of discipline. Her dogs seem to take on human reactions and feelings, as their attentive expressions lend humor to the scene. | Unrated | Anonymous |
 | Listening To Father's Watch 1857 Currier Museum of Art Manchester, NH | Unrated | Anonymous | |
 | The Young Husband: First Marketing circa 1854 Hunter Museum of American Art Chattanooga, TN | Unrated | Anonymous | |
 | Peeling Onions ca. 1852 Memorial Art Gallery of the University of Rochester Rochester, NY | Unrated | Anonymous | |
 | The Artist And Her Family At A Fourth Of July Picnic ca. 1864 National Museum of Women in the Arts Washington, D.C. | Lilly Martin Spencer's The Artist and Her Family at a Fourth of July Picnic depicts an idyllic scene in which well-dressed, middle-class Americans have gathered to celebrate their country's independence by eating, drinking, and entertaining one another. Sprawled on the ground at the center of the picture is the painter's husband, whose weight has... | Unrated | Anonymous |
 | This Little Pig Went To Market 1857 New Britain Museum of American Art New Britain, CT | Description: A mother holds a child on her lap and touches his toes. They sit beside a curtained cradle. The mother wears a green dressing gown with elaborately designed borders and a white lace nightgown. Her green slippers rest on a red foot cushion. | Unrated | Anonymous |
 | Benjamin Rush Spencer 1848-1852 Smithsonian American Art Museum Washington, D.C. | Unrated | Anonymous |
- Lilly Martin Spencer
