| Preview | Description | Notes
  | Content | Updated by |
|---|---|---|---|---|
 | Bar-Room Scene 1835 Art Institute of Chicago Chicago, IL |  Ownership History: Gouverneur Kemble, Cold Spring, N.Y., 1835. Ehrich Galleries, New York, by 1911; William Owen and Erna Sawyer Goodman, Chicago, 1911; given to the Art Institute, 1939. | GA | Anonymous |
 | The Banjo Player 1850/1855 Detroit Institute of Arts Detroit, MI | GA | Anonymous | |
 | Long Island Farmhouses 1862–63 Metropolitan Museum of Art New York, NY | GA | Anonymous | |
 | The Raffle (Raffling For The Goose) 1837 Metropolitan Museum of Art New York, NY | GA | Anonymous | |
 | Mrs. Gideon Tucker 1830 Metropolitan Museum of Art New York, NY | GA | Anonymous | |
 | Martin Euclid Thompson 1830 Metropolitan Museum of Art New York, NY | GA | Anonymous | |
 | Great-grand-father's Tale Of The Revolution—a Portrait Of Reverend Zachariah Greene 1852 Metropolitan Museum of Art New York, NY | GA | Anonymous | |
 | Cider Making 1840–41 Metropolitan Museum of Art New York, NY | GA | Anonymous | |
 | Gideon Tucker 1830 Metropolitan Museum of Art New York, NY | GA | Anonymous | |
 | Caught Napping (Boys Caught Napping In A Field) 1848 Brooklyn Museum New York, NY | ters after the Civil War, when urban centers increasingly drew people away from their native rural environments. Unlike those later versions, which tended to be sentimentally sweet, Mount portrayed these boys as mischievous, with due punishment approaching in the form of their father. Mount's insertion of the goat's skull on the tree also signaled... | GA | Anonymous |
- William Sidney Mount
