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Street Market

1917
Oil on fiberboard
24 7/8 X 29 3/4 IN. (63.0 X 75.6 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution

Washington, D.C.

 GAAnonymous
Marketing

1928
oil on canvas
20 3/8 X 16 1/4 IN. (51.7 X 41.2 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution

Washington, D.C.

 GAAnonymous
Children Dancing

1903
oil on canvas
16 1/8 X 22 1/8 IN. (41.0 X 56.2 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution

Washington, D.C.

 GAAnonymous
Street Scene

1904
oil on canvas
22 3/4 X 28 1/8 IN. (57.8 X 71.4 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution

Washington, D.C.

 GAAnonymous
Park Bench At Night

1909
Pastel on paperboard
15 X 18 1/16 IN. (38.0 X 45.9 CM.)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution

Washington, D.C.

 GAAnonymous
The Mission Tent

1906
oil on canvas
25 1/16 x 30 1/16 in. (63.7 x 76.4 cm)

Metropolitan Museum of Art

New York, NY

 GAAnonymous
A North River Recreation Pier

1905
oil on canvas
25 3/16 x 30 1/16 in. (64 x 76.4 cm)

Metropolitan Museum of Art

New York, NY

 GAAnonymous
Waiting

crayon on woven paper, watercolor
9 in. x 11 7/8 in. (22.86 cm x 30.16 cm)

Addison Gallery of Art

Andover, MA

notes
This object was included in the following exhibitions: Drawings by American Artists, Addison Gallery of American Art, 00/00/00 - 00/00/00; The American City, Addison Gallery of American Art, 1/18/1991 - 3/10/1991; Visions of the American City: Selected works from the collection of the Addison, Boston University Art Gallery, 9/13/1991 - 10/27/1991
GAAnonymous
Madison Square Concert

c. 1923
oil on canvas
23 in. x 28 in. (58.42 cm x 71.12 cm)

Addison Gallery of Art

Andover, MA

 GAAnonymous
The Old House

ca. 1908-1915
oil on canvas
24 7/8 x 29 15/16 in. (63.2 x 76 cm)

Brooklyn Museum

New York, NY

notes
Jerome Myers's art is classified as Realism since he focused on the urban poor for his subject matter. Unlike many of his contemporaries, however, he refrained from making obvious political or social statements in his art and instead simply appreciated the visual excitement of New York s teeming streets. Myers wrote, "Curiously enough, my...
GAAnonymous
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