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Etude

before 1892
oil on canvas
23 1/2 x 21 1/2"

Colby College Museum of Art

Waterville, ME

 GAAnonymous
Fisher Girl Of Picardy

1889
oil on canvas
46 3/4 x 32 1/4 in. (118.7 x 82.0 cm)

Smithsonian American Art Museum

Washington, D.C.

notes
In the summer of 1889, Elizabeth Nourse traveled with her sister Louise and their Cincinnati friend Anna Schmidt around northern France. It was a bitterly cold day when Nourse painted this scene, and Anna later wrote: “I was with Elizabeth when she painted that girl on the Etaples Dunes---it was so cold and windy the model used to weep.” The...
GAAnonymous
Flock Of Geese

ca. 1883
oil on wood
25 7/8 x 55 7/8 in. (65.8 x 142.0 cm.)

Smithsonian American Art Museum

Washington, D.C.

 GAAnonymous
Flower Market At Notre Dame

1927
Watercolor and gouache over black chalk on grey woven paper
Image: 9 7/16 x 12 3/8 in. (24.0 x 31.4 cm) Frame: 15 5/8 x 18 5/8 in. (39.7 x 47.3 cm)

The Terra Foundation for American Art

Chicago, IL

 GAAnonymous
Happy Days

1905
oil on canvas
40 x 40 in. 101.6 x 101.6 cm

Detroit Institute of Arts

Detroit, MI

 GAAnonymous
La Mere (The Mother)

1888
oil on canvas
45 1/2 x 32 in.

Cincinnati Art Museum

Cincinnati, OH

notes
, her first large oil, into the most prestigious annual exhibition in Paris, the Salon. Not only was La mere selected, but was also placed “on the line,” or at eye-level, a tremendous honor as the walls were packed with paintings from the floor to the ceiling. After such a glowing reception at the Salon, the painting was shown across Europe and...
GAAnonymous
Le Baiser

1922
Pastel and charcoal on paper mounted on academy board
Image: 13 13/16 x 14 9/16 in. (35.1 x 37.0 cm) Frame: 23 5/8 x 25 7/16 in. (60.0 x 64.6 cm)

The Terra Foundation for American Art

Chicago, IL

 GAAnonymous
Lilacs

1891
opaque watercolor and watercolor on fiberboard
38 1/4 x 29 3/8 in. (97.1 x 74.6 cm)

Smithsonian American Art Museum

Washington, D.C.

 GAAnonymous
Moorish Boy

1897
oil on canvas
29 x 19 in.

Cincinnati Art Museum

Cincinnati, OH

notes
se complained that she was not able to complete many large oil paintings because she could only get her native models to pose for a short time. Moorish Boy was perhaps completed from sketches made on this trip. The vivid orange of the boy’s shirt and the brilliant green background accurately capture the bright colors of North Africa.
GAAnonymous
Moorish Prince

1897
oil on canvas
no dimensions avaliable

New Britain Museum of American Art

New Britain, CT

notes
rican, who rests one hand firmly on his hip and holds a cigarette in the other. He wears a white turban around his dark head and several layers of colorful clothing wrapped loosely around his body. Blue, green, and yellow fabrics add color accents to his essentially monochromatic robe, and a vivid red waistband contributes an especially bright note...
GAAnonymous
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