| Preview | Description
  | Notes | Content | Updated by |
|---|---|---|---|---|
 | Serving Maid 1890 Detroit Institute of Arts Detroit, MI | GA | Anonymous | |
 | Sunday Morning ca. 1877 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Susie Kent Southwick 1873 Brooklyn Museum New York, NY | GA | Anonymous | |
 | The Argument 1874 St. Johnsbury Athenaeum St. Johnsbury, VT | GA | Anonymous | |
 | The Veteran 1867 Cahoon Museum of American Art Cotuit, MA |  vor, earned Wood election into the National Academy of Design in 1867. Following the success of these pictures, Wood determined to devote his attention to genre. | GA | Anonymous |
 | The Yankee Pedlar 1872 The Terra Foundation for American Art Chicago, IL | Thomas Waterman Wood�s Yankee Pedlar presents a seeming slice of nineteenth-century country life: a moment of negotiation between a persuasive New England peddler, who offers the temptations of manufactured and luxury goods, and a cautious, thrifty farm family, who can barter products of agricultural life. | GA | Anonymous |
 | Village Post Office 1873 Fenimore Art Museum Cooperstown, NY | muted study of the crockery, foodstuffs and supplies that one might find in such a country store. In fact, tradition holds that the interior is the Ainsworth store in Williamstown, Vermont, and all the characters were local friends of the artist. | GA | Anonymous |
- Thomas Waterman Wood
