| Preview | Description
  | Notes | Content | Updated by |
|---|---|---|---|---|
 | The Promenade 1927 Detroit Institute of Arts Detroit, MI | GA | Anonymous | |
 | The Green Car 1910 Metropolitan Museum of Art New York, NY |  ture the smallest details of gesture and incident, thus endowing his canvases with a sense of spontaneity and life. | GA | Anonymous |
 | The Country Fair 1895-1896 Brooklyn Museum New York, NY | GA | Anonymous | |
 | Swan Pond, Bellport, Long Island ca. 1914 Metropolitan Museum of Art New York, NY | GA | Anonymous | |
 | Still Life with Three Glasses mid-1920s Butler Institute of American Art Youngstown, OH | cally recommended the painting to the organizers of at least one Glackens retrospective after his father's death. In 1964, the Museum of Modern Art in New York selected the painting as the only Glackens still life to be included in their major exhibition of The Eight. | GA | Anonymous |
 | Shop Girls ca. 1900 Metropolitan Museum of Art New York, NY | GA | Anonymous | |
 | Pears and Oranges in a Bowl ca. 1915 Brooklyn Museum New York, NY | GA | Anonymous | |
 | Nude with Apple 1909-1910 Brooklyn Museum New York, NY | Is this a modern Eve about to take a bite of the apple? William Glackens certainly counted on his viewers to make that association. Moreover, he offered a fresh American update on the subject of the nude studio model, paraphrasing one of France's most famous paintings, Edouard Manet's Olympia. | GA | Anonymous |
 | Merry Christmas (Yuletide Revels) ca. 1910 Brooklyn Museum New York, NY | lay a bruising game of sandlot football, frolic in the streets or in snow-covered parks, or partake in holiday celebrations like this one. | GA | Anonymous |
 | La Villette c. 1895 Carnegie Institute, Museum of Art Pittsburgh, PA | GA | Anonymous |
- William Glackens
