| Preview | Description
  | Notes | Content | Updated by |
|---|---|---|---|---|
 | Crowd at the Seashore ca. 1910 Metropolitan Museum of Art New York, NY | GA | Anonymous | |
 | East River Park ca. 1902 Brooklyn Museum New York, NY | GA | Anonymous | |
 | Family Group 1910/1911 National Gallery of Art Washington, D.C. | GA | Anonymous | |
 | He piles himself on Gothecore's back 1903 Smithsonian American Art Museum Washington, D.C. |  The full name: He piles himself on Gothecore's back then he crooks his right arm about Gothecore's neck--the regular garotte hug
Museum purchase | GA | Anonymous |
 | In Town It's Different 1898 Carnegie Institute, Museum of Art Pittsburgh, PA | It is noteworthy, that along with his constant survey of the life around him, Glackens also possessed a profound understanding of the conventions of representation. In Town It's Different, very much resembles English and Continental styles of illustration in its refinement and finish as well as in specific details. | GA | Anonymous |
 | La Villette c. 1895 Carnegie Institute, Museum of Art Pittsburgh, PA | GA | Anonymous | |
 | Merry Christmas (Yuletide Revels) ca. 1910 Brooklyn Museum New York, NY | lay a bruising game of sandlot football, frolic in the streets or in snow-covered parks, or partake in holiday celebrations like this one. | GA | Anonymous |
 | Nude with Apple 1909-1910 Brooklyn Museum New York, NY | Is this a modern Eve about to take a bite of the apple? William Glackens certainly counted on his viewers to make that association. Moreover, he offered a fresh American update on the subject of the nude studio model, paraphrasing one of France's most famous paintings, Edouard Manet's Olympia. | GA | Anonymous |
 | Pears and Oranges in a Bowl ca. 1915 Brooklyn Museum New York, NY | GA | Anonymous | |
 | Shop Girls ca. 1900 Metropolitan Museum of Art New York, NY | GA | Anonymous |
- William Glackens
