| Preview | Description
  | Notes | Content | Updated by |
|---|---|---|---|---|
 | On the St. Annes, East Canada 1863, 1865 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Pompeii 1855 Smithsonian American Art Museum Washington, D.C. |  were popular among nineteenth-century American patrons, who made the ancient city at the foot of Vesuvius a stop on their grand tours. | GA | Anonymous |
 | Portrait of Freeman Cary ca. 1856 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Remembrances of a Scene near Auerbach ca. 1856 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Romantic Landscape 1871 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Roses Still Life ca. 1842-1848 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Roses--Fancy Still Life, Still Life with Roses ca. 1842-1848 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Scotch Highlands ca. 1848-1852 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Scottish Landscape 1871 Smithsonian American Art Museum Washington, D.C. | Robert S. Duncanson made several trips to Scotland, probably inspired by his father's Scottish heritage. He created romantic wilderness views that may have been influenced by the novels and poems of Sir Walter Scott. In this piece the warm colors and rich vegetation make a remote scene appear welcoming, and would have appealed to the sentimental... | GA | Anonymous |
 | Valley Pasture 1857 Smithsonian American Art Museum Washington, D.C. | rms. This might represent the promised land of freedom that escaped slaves in the 1850s hoped to reach by swimming across the Ohio River to the free states of the North. | GA | Anonymous |
- Robert Scott Duncanson
