| Preview | Description
  | Notes | Content | Updated by |
|---|---|---|---|---|
 | Village Scene near Albany, New York 1850 Smithsonian American Art Museum Washington, D.C. |  This image shows a small town to the west of James M. Hart’s home in Albany, New York. He preferred to paint intimate views of country life, rather than dramatic vistas of the wilderness, to show that man and nature could coexist in peace. In Village Scene, the comforting view of farm life, with its children, grazing cows, and picturesque... | GA | Anonymous |
 | Under the Elms 1872 St. Johnsbury Athenaeum St. Johnsbury, VT | Under the Elms is characteristic of Hart's work after the Civil War. Where he favored larger-scale depictions of unexplored wilderness in his earlier work, his later paintings are often more tranquil and refined. | GA | Anonymous |
 | Sunday Afternoon, Berkshire County, Mass. 1857 Harvard University Art Museums Cambridge, MA | GA | Anonymous | |
 | Picnic on the Hudson 1854 Brooklyn Museum New York, NY | GA | Anonymous | |
 | Pasture Scene 1876 Metropolitan Museum of Art New York, NY | Unrated | Anonymous | |
 | On the Lake Shore 1864 Museum of Fine Arts Boston, MA | GA | Anonymous | |
 | Mountain Range 1850–55 Metropolitan Museum of Art New York, NY | Unrated | Anonymous | |
 | Morning in New England 1873 Cleveland Museum of Art Cleveland, OH | rican landscape. Hart's membership in the Hudson River School is evident in the earth-tone palette and panoramic viewpoint of the scene. | GA | Anonymous |
 | Misty Morning on Racket Lake oil on canvas Private Collection Unknown, USA | GA | Anonymous | |
 | Midsummer 1870 Brooklyn Museum New York, NY | GA | Anonymous |
- James McDougal Hart
