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Luncheon Still Life

ca. 1860
oil on canvas
25 3/8 x 30 3/8 in. (64.6 x 77.2 cm.)

Smithsonian American Art Museum

Washington, D.C.

 GAAnonymous
Mary Elizabeth Francis, the Artist's Daughter

ca. 1840
oil on canvas
36 5/8 x 29 3/8 in. (93.1 x 74.7 cm)

Smithsonian American Art Museum

Washington, D.C.

 GAAnonymous
Still Life with Strawberries and Cream

c. 1850
oil on canvas
H-15 W-19 inches

Lauren Rogers Museum of Art

Laurel, MS

 GAAnonymous
Still Life: Apples and Biscuits

1862
oil on wood panel
12 x 14 3/4 x 3/8 in.

Wichita Art Museum

Wichita, KS

 GAAnonymous
Basket of Apples

1865
oil on canvas
Height: 38.1 cm (15 in.), Width: 48.26 cm (19 in.)

Private Collection

Unknown, USA

 GAAnonymous
Still Life: Cognac and Biscuits

1850
oil on canvas
Height: 50.8 cm (20 in.), Width: 60.96 cm (24 in.)

Private collection: John & Dolores Beck

Unknown, USA

 GAAnonymous
Wine, Cheese, and Fruit

1857
oil on canvas
63.5 x 76.2 cm (25 x 30 in.)

Art Institute of Chicago

Chicago, IL

notes
Ownership History: Elizabeth Selden Hubbard, Findley, Ohio; by descent to William Buckley Hubbard, by 1994; Christie’s, New York, 1994; sold to The Art Institute of Chicago, 1994.
GAAnonymous
Still Life with Fruit

oil on canvas
23 1/4 X 50" (59.06 x 76.20 cm.)

Butler Institute of American Art

Youngstown, OH

notes
ves and enlivened by a white napkin. A saturate amber light floods the picture from the left, picking out Francis's typical blue-white highlights and casting strong, dark shadows which further unify the solid geometry of the fruit. The subdued, neutral background plane, set off from a landscape vignette by a vine-hung classic column, was a common...
GAAnonymous
Still Life with Yellow Apples

1858
oil on canvas
25 1/4 x 30 1/4 in. 64.1 x 76.8 cm Framed: 32 1/2 x 38 x 3 5/8 in.

Detroit Institute of Arts

Detroit, MI

 GAAnonymous
Three Children

1840
oil on canvas
106.68 x 106.68 cm (42 x 42 in.)

Museum of Fine Arts

Boston, MA

notes
ings. The luxurious surroundings proved a colorful setting for the unconventionally informal poses of the three children. Francis showed this picture at the 1840 Artists' Fund Society exhibition in Philadelphia, where it served to advertise his painting skills. He clearly was successful in attracting patronage, for he earned a handsome income from...
GAAnonymous
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