| Preview | Description
  | Notes | Content | Updated by |
|---|---|---|---|---|
 | A Vision of the Past 1913 Butler Institute of American Art Youngstown, OH |  In "A Vision of the Past", Couse contrasted the past and present, suggesting that the future held little promise for tribal culture. In doing so, he contributed to a tradition of imagery first popular in the 1830s, that of the vanishing race of "doomed" Native Americans. | GA | Anonymous |
 | At the Spring (Sheep in field) Early 20th Century Brigham Young University, Museum of Fine Arts Provo, UT | GA | Anonymous | |
 | Boat Alone #1 Early 20th Century Brigham Young University, Museum of Fine Arts Provo, UT | GA | Anonymous | |
 | Brook with Wooded Area 1903-1905 ca. Brigham Young University, Museum of Fine Arts Provo, UT | GA | Anonymous | |
 | Chief Shoppenegons 1910 Detroit Institute of Arts Detroit, MI | GA | Anonymous | |
 | Clearing 1891-1904 ca. Brigham Young University, Museum of Fine Arts Provo, UT | GA | Anonymous | |
 | Elk-Foot of the Taos Tribe 1909 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Hunting Cranes oil on canvas Richmond Art Museum Richmond, IN | GA | Anonymous | |
 | Indian Painter 19th century Minneapolis Institute of Arts Minneapolis, MN | GA | Anonymous | |
 | Lovers (Indian Love Song) 1905 Brooklyn Museum New York, NY | ian art. Owing in part to the appeal of such images, they traveled in growing numbers to Taos, New Mexico, where Couse spent a portion of each year beginning in 1902. | GA | Anonymous |
- Eanger Irving Couse
