| Preview | Description
  | Notes | Content | Updated by |
|---|---|---|---|---|
 | August ca. 1908 Metropolitan Museum of Art New York, NY | GA | Anonymous | |
 | Champ de ble 1883 The Terra Foundation for American Art Chicago, IL |  cut wheat on the left and a small stand of trees on the right relieve the flat horizon, which cuts off a view of the landscape beyond. Intimate in scale and painted with rough, evident brushstrokes, this seemingly unedited record of a simple, unpretentious rural scene appears to have been painted largely on-site | GA | Anonymous |
 | Clouds after Storm 1895 Harvard University Art Museums Cambridge, MA | GA | Anonymous | |
 | Edge of the Forest, Twilight ca. 1890 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Forsaken Homestead about 1890 Museum of Fine Arts Boston, MA | GA | Anonymous | |
 | In Spring Sunshine ca. 1920 Brooklyn Museum New York, NY | GA | Anonymous | |
 | Morning Sunlight about 1895 Museum of Fine Arts Boston, MA | GA | Anonymous | |
 | Oak Tree in Mystic 19th Century Mattatuck Museum Waterbury, CT | Charles H. Davis (1856-1933) spent nearly 10 years near Barbizon, France and was a leading exponant of the Barbizon style. In 1891 he left France for Mystic, CT, where he established an art colony and spent the rest of his life. His style eventually transformed from Tonalism to Impressionism. | GA | Anonymous |
 | Pastures in May 1898 Museum of Fine Arts Boston, MA | GA | Anonymous | |
 | Rural Landscape 1905 Harvard University Art Museums Cambridge, MA | GA | Anonymous |
- Charles Harold Davis
