| Preview | Description | Notes
  | Content | Updated by |
|---|---|---|---|---|
 | Woman in Manteau 1898 Brooklyn Museum New York, NY |  Painted in Paris at a time when Robert Henri was determined to make his professional mark, this work shows his favorite model, Berthe Terrier, in a manner deliberately recalling European Old Masters. Although he intentionally allied his art with revered tradition, Henri also inserted a contemporary mood by portraying Berthe with a bold, almost... | GA | Anonymous |
 | Philadelphia Bridge 1894 Brooklyn Museum New York, NY | This ink-wash drawing by Henri is highly suggestive of the works of James McNeill Whistler and of the Japanese prints that inspired him. While teaching at the Women?s School of Design in Philadelphia in 1893, Henri served as host to the noted Japanese artist and lecturer Beisen Kubota, who gave a demonstration of quick-sketch brush-and-ink technique.... | GA | Anonymous |
 | The Man Who Posed as Richelieu 1898 Brooklyn Museum New York, NY | The title of Robert Henri's portrait of an unnamed Paris model underscores the artifice of posing by referring to two separate personalities: the historical persona of the ruthless French cardinal Armand Jean du Plessis Richelieu (1585-1642) and that of the anonymous sitter, whose identity remains a mystery. | GA | Anonymous |
 | Party Scene ca. 1890-1900 Brooklyn Museum New York, NY | GA | Anonymous | |
 | Laughing Girl 1910 Brooklyn Museum New York, NY | GA | Anonymous | |
 | Conversation 1905 Brooklyn Museum New York, NY | GA | Anonymous | |
 | Herself 1913 Art Institute of Chicago Chicago, IL | GA | Anonymous | |
 | Himself 1913 Art Institute of Chicago Chicago, IL | GA | Anonymous | |
 | Young Woman in Black 1902 Art Institute of Chicago Chicago, IL | GA | Anonymous | |
 | The Masquerade Dress 1911 Metropolitan Museum of Art New York, NY | GA | Anonymous |
- Robert Henri
