Preview | Description
![]() ![]() | Notes | Content | Updated by |
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![]() | Conversation 1905 Brooklyn Museum New York, NY | GA | Anonymous | |
![]() | Dutch Girl in White 1907 Metropolitan Museum of Art New York, NY | GA | Anonymous | |
![]() | Herself 1913 Art Institute of Chicago Chicago, IL | GA | Anonymous | |
![]() | Himself 1913 Art Institute of Chicago Chicago, IL | GA | Anonymous | |
![]() | Laughing Girl 1910 Brooklyn Museum New York, NY | GA | Anonymous | |
![]() | Party Scene ca. 1890-1900 Brooklyn Museum New York, NY | GA | Anonymous | |
![]() | Pat Roberts (II) 1915 Brooklyn Museum New York, NY | GA | Anonymous | |
![]() | Philadelphia Bridge 1894 Brooklyn Museum New York, NY | ![]() This ink-wash drawing by Henri is highly suggestive of the works of James McNeill Whistler and of the Japanese prints that inspired him. While teaching at the Women?s School of Design in Philadelphia in 1893, Henri served as host to the noted Japanese artist and lecturer Beisen Kubota, who gave a demonstration of quick-sketch brush-and-ink technique.... | GA | Anonymous |
![]() | The Man Who Posed as Richelieu 1898 Brooklyn Museum New York, NY | ![]() The title of Robert Henri's portrait of an unnamed Paris model underscores the artifice of posing by referring to two separate personalities: the historical persona of the ruthless French cardinal Armand Jean du Plessis Richelieu (1585-1642) and that of the anonymous sitter, whose identity remains a mystery. | GA | Anonymous |
![]() | The Masquerade Dress 1911 Metropolitan Museum of Art New York, NY | GA | Anonymous |
- Robert Henri