| Preview | Description
  | Notes | Content | Updated by |
|---|---|---|---|---|
 | Moses in the Bullrushes 1921 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Mountain Landscape, Highlands, North Carolina 1889 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Palace of Justice, Tangier ca. 1912-1913 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Portrait of the Artist's Wife 1897 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Return to the Tomb 1914 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Salome ca. 1900 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Self-Portrait ca. 1910 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Street in Tangier ca. 1910 Smithsonian American Art Museum Washington, D.C. |  Henry Ossawa Tanner might have created this scene with a passage from the Gospel of Luke in mind. In the background, Mary and Joseph approach the inn at Bethlehem, represented by the shadowed entrance on the left (Mosby, Henry Ossawa Tanner, 1991). Tanner did not visit Tangier until 1912, which suggests that he probably painted this scene in his... | GA | Anonymous |
 | Street Scene, Tangier (Crenelated Architecture) ca. 1910 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Street Scene, Tangier (Man Leading Calf) ca. 1910 Smithsonian American Art Museum Washington, D.C. | Henry Ossawa Tanner probably painted this scene in his Paris studio from postcards or photographs of Tangier, which he visited two years later. By 1910, Tanner had established himself as a religious painter and used his trips to North Africa and the Middle East for inspiration. This street scene refers to the passage in the Bible in which a man is... | GA | Anonymous |
- Henry Ossawa Tanner
