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  | Notes | Content | Updated by |
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 | Fort George Island, Florida 1878 Smithsonian American Art Museum Washington, D.C. |  In 1877, Thomas Moran traveled with his wife to Fort George Island, Florida, and made small studies of the trees and beaches, images that were radically different from his sweeping vistas of Yellowstone. Within twenty years after this painting was created, the balmy coasts of South Carolina, Georgia, and Florida had become fashionable tourist... | GA | Anonymous |
 | From near Inspiration Point, Yellowstone Canyon 1892 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Green River Cliffs, Wyoming 1881 National Gallery of Art Washington, D.C. | ran quickly made plans to travel west.
Yellowstone was Moran's ultimate destination in the summer of 1871, but before he reached the land of geysers and hot springs, he stepped off the train in Green River, Wyoming, and discovered a landscape unlike any he had ever seen. Rising above the dusty railroad town were towering cliffs, reduced by nature... | GA | Anonymous |
 | Heart Mountain from Camp, near Chapman's Ranch 1892 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Hook Pond and Old Bridge ca. 1880-1890 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Lake Como 1867 Metropolitan Museum of Art New York, NY | Unrated | Anonymous | |
 | Landscape ca. 1880-1890 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Mammoth Hot Springs, Yellowstone 1872 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Mist in Kanab Canyon, Utah 1892 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Montauk 1880 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous |
- Thomas Moran
