| Preview | Description
  | Notes | Content | Updated by |
|---|---|---|---|---|
 | Salome Receiving the Head of John the Baptist 1890 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Rocky Farm, Newport 1891 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Pleasant Pastures 1887 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | People Near Boat 1893 Smithsonian American Art Museum Washington, D.C. |  Scholars have suggested that the bearded man in this painting might be a self-portrait. Edward Bannister rarely included African American subjects in his paintings, focusing instead on pastoral landscape scenes, which brought him greater success in the art market. | GA | Anonymous |
 | On the Seekonk 1892 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Ocean Cliffs 1881 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Oak Trees 1876 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Newspaper Boy 1869 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Newport 1877-1882 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Neutakonkanut 1891 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous |
- Edward M. Bannister
