Preview | Description
![]() ![]() | Notes | Content | Updated by |
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![]() | Landscape near Newport, R. I. ca. 1877-1878 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
![]() | Morning on the Shore 1892 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
![]() | Neutakonkanut 1891 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
![]() | Newport 1877-1882 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
![]() | Newspaper Boy 1869 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
![]() | Oak Trees 1876 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
![]() | Ocean Cliffs 1881 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
![]() | On the Seekonk 1892 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
![]() | People Near Boat 1893 Smithsonian American Art Museum Washington, D.C. | ![]() Scholars have suggested that the bearded man in this painting might be a self-portrait. Edward Bannister rarely included African American subjects in his paintings, focusing instead on pastoral landscape scenes, which brought him greater success in the art market. | GA | Anonymous |
![]() | Pleasant Pastures 1887 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous |
- Edward M. Bannister