| Preview | Description | Notes
  | Content | Updated by |
|---|---|---|---|---|
 | A French Homestead 1878 Brooklyn Museum New York, NY | GA | Anonymous | |
 | Willimantic Thread Factory 1893 Brooklyn Museum New York, NY | GA | Anonymous | |
 | Girl in Black 1910 Brooklyn Museum New York, NY | GA | Anonymous | |
 | Landscape after 1900 Smithsonian American Art Museum Washington, D.C. |  identified with her. (Cummings, "Home Is the Starting Place: J. Alden Weir and the Spirit of Place," J. Alden Weir: A Place of His Own, 1991). Perhaps the ghostly figure in the foreground is meant to suggest his wife's spirit dwelling under the trees. | GA | Anonymous |
 | A Gentlewoman 1906 Smithsonian American Art Museum Washington, D.C. | h feelings, artists created images like these of quiet interior scenes, a visually soothing antidote to an unquiet age. | GA | Anonymous |
 | At the Water Trough 1876-1877 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Children Burying a Bird 1878 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Hunter and Dogs oil on canvas Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Portrait of a Lady with a Dog (Anna Baker Weir) ca. 1890 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Portrait of Wyatt Eaton ca. 1878 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous |
- Julian Alden Weir
