| Preview | Description
  | Notes | Content | Updated by |
|---|---|---|---|---|
 | Flowers 1880 Art Institute of Chicago Chicago, IL | GA | Anonymous | |
 | Fruit ca. 1888 Metropolitan Museum of Art New York, NY | GA | Anonymous | |
 | Girl in Black 1910 Brooklyn Museum New York, NY | GA | Anonymous | |
 | Hunter and Dogs oil on canvas Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Idle Hours 1888 Metropolitan Museum of Art New York, NY | GA | Anonymous | |
 | Landscape after 1900 Smithsonian American Art Museum Washington, D.C. |  identified with her. (Cummings, "Home Is the Starting Place: J. Alden Weir and the Spirit of Place," J. Alden Weir: A Place of His Own, 1991). Perhaps the ghostly figure in the foreground is meant to suggest his wife's spirit dwelling under the trees. | GA | Anonymous |
 | Moonlight c. 1905 National Gallery of Art Washington, D.C. | GA | Anonymous | |
 | Portrait of a Lady with a Dog (Anna Baker Weir) ca. 1890 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Portrait of Wyatt Eaton ca. 1878 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | The Bridge: Nocturne 1910 Hirshhorn Museum and Sculpture Garden, Smithsonian Institution Washington, D.C. | GA | Anonymous |
- Julian Alden Weir
