| Preview | Description
  | Notes | Content | Updated by |
|---|---|---|---|---|
 | "Brick Kilns," Clay Bluffs 1900 Miles above St. Louis 1832 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | "Smoking Horses," a Curious Custom of the Sauk and Fox 1835-1836 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | A Choctaw Woman 1834 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | A Seminole Woman 1838 Smithsonian American Art Museum Washington, D.C. |  George Catlin arrived at Fort Moultrie, in Charleston, South Carolina, on January 17, 1838. He painted more than ten portraits of Seminole and Yuchi Indians, including this Seminole woman, in the short time he spent at the fort. | GA | Anonymous |
 | A'h-sha-la-coots-ah, Mole in the Forehead, Chief of the Republican Pawnee 1832 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | A'h-tee-wat-o-mee, a Woman 1830 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | A-wun-ne-wa-be, Bird of Thunder 1845 Smithsonian American Art Museum Washington, D.C. | hey so entertained King Louis Philippe that he asked them to perform for the royal family and invited Catlin to exhibit his collection at the Louvre. | GA | Anonymous |
 | Ah'-kay-ee-pix-en, Woman Who Strikes Many 1832 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Ah'-sho-cole, Rotten Foot, a Noted Warrior 1834 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Ah-mou-a, The Whale, One of Kee-o-kuk's Principal Braves 1835 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous |
- George Catlin
