| Preview | Description | Notes | Content | Updated by
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|---|---|---|---|---|
 | The Brook, Greenwich, Connecticut ca. 1890-1900 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | The Torrent ca. 1900 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Tiger Lilies ca. 1900 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Icebound c. 1889 Art Institute of Chicago Chicago, IL |  Ownership History: John Forsythe, New York, by 1913; American Art Association, New York, 1913; N.E. Montross Gallery, New York, 1913; sold by them to the Art Institute, 1917. | GA | Anonymous |
 | The White Bridge after 1895 Art Institute of Chicago Chicago, IL | Ownership History: Alexander Morton, New York, by 1916; American Art Galleries, New York, 1916; Macbeth Galleries, New York, 1916; Mr. and Mrs. Martin A. Ryerson, Chicago, Ill.; 1916; bequested by them to the Art Institute, 1937. | GA | Anonymous |
 | Meadow Flowers (Golden Rod and Wild Aster) ca. 1892 Brooklyn Museum New York, NY | re is no horizon or measured recession--resulting in a visual emphasis on the richly textured paint surface and the subtly animated pattern of the brushwork. The painting is further enriched by an opulent gilded frame designed by the architect Stanford White. | GA | Anonymous |
 | Study of a Head ca. 1888-1895 Brooklyn Museum New York, NY | GA | Anonymous | |
 | Reflections ca. 1893-1894 Brooklyn Museum New York, NY | GA | Anonymous | |
 | Study of Landscape (Unfinished Perspective Study) ca. 1888-1895 Brooklyn Museum New York, NY | In this particularly successful pastel, Twachtman allowed the gray paper to play an assertive role in a Whistlerian fashion. He anchored the composition with some limited outlines of rocks and trees, and otherwise described the open landscape with carefully placed but slightly brusque touches of pastel. | GA | Anonymous |
 | Three Trees ca. 1888-1895 Brooklyn Museum New York, NY | GA | Anonymous |
- John Henry Twachtman
