| Preview | Description
  | Notes | Content | Updated by |
|---|---|---|---|---|
 | Elizabeth at the Piano 1875 Addison Gallery of Art Andover, MA | GA | Anonymous | |
 | Elizabeth Crowell with a Dog 1871 San Diego Museum of Art San Diego, CA | GA | Anonymous | |
 | Frank Jay St. John 1900 M. H. de Young Memorial Museum San Francisco, CA | GA | Anonymous | |
 | Home Ranch 1888-1892 Philadelphia Museum of Art Philadelphia, PA | GA | Anonymous | |
 | Home Scene circa 1871 Brooklyn Museum New York, NY |  Description: Domestic scene with a woman seated at a piano, turning to look at the child who is lying on the floor and writing on a slate. An orange and sheet music are on the music stand of the piano and a cat is at left. The child wears a plaid dress and the woman wears a black dress with red-trimmed bodice. | GA | Anonymous |
 | James MacAlister (Sketch) ca. 1895 Metropolitan Museum of Art New York, NY | Unrated | Anonymous | |
 | John Biglin in a Single Scull 1873-1874 Metropolitan Museum of Art New York, NY | Description: Portrait of rower John Biglin seated in his scull, his hands gripping the oars as he is about to take a stoke to glide across Philadelphia's Schuylkill River. Near him to the left is the front of another scull. On the river in the distance there are sailboats and an eight man scull | GA | Anonymous |
 | Max Schmitt in a Single Scull 1871 Metropolitan Museum of Art New York, NY | Avenue Bridge, the Connecting Railroad Bridge, and a steamboat far in the distance. The painting most likely commemorates Schmitt's victory in a single scull competition on Oct. 5, 1870 | GA | Anonymous |
 | Maybelle 1898 Frye Art Museum Seattle, WA | Description: Portrait of Maybelle with her body turned to the right, her head turned three-quarters to the right, and her gaze directed off to the right. She wears a black off-the-shoulder dress and a small gold earring, and her black hair is worn pulled back from her face. | GA | Anonymous |
 | Mending the Net 1881 Philadelphia Museum of Art Philadelphia, PA | GA | Anonymous |
- Thomas Eakins
