| Preview | Description
  | Notes | Content | Updated by |
|---|---|---|---|---|
 | Along the Seine, Winter 1887 Dallas Museum of Art Dallas, TX |  his works of the 1880s and early 1900s. The dark clear colors of the Boston paintings are tempered by the pearlescent light of Paris, which Hassam conveys with a much looser, more fluid brush. The softness of color and touch echoes the mellow winter ambience of the City of Lights. | GA | Anonymous |
 | Bailey's Beach, Newport 1901 Art Institute of Chicago Chicago, IL | GA | Anonymous | |
 | Bridge at Old Lyme 1922 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Church 1910 Art Institute of Chicago Chicago, IL | GA | Anonymous | |
 | Colonial Graveyard at Lexington 1891 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Easthampton Elms in May 1925 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Esplanade, Dunkerque (The Beach at Dunkirk) 1883 Metropolitan Museum of Art New York, NY | Unrated | Anonymous | |
 | Flags, Fifth Avenue 1918 Dallas Museum of Art Dallas, TX | GA | Anonymous | |
 | Grant Park, Congress Street c. 1911/14 Art Institute of Chicago Chicago, IL | GA | Anonymous | |
 | Improvisation 1899 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous |
- Frederick Childe Hassam
