Preview | Description | Notes | Content | Updated by |
---|---|---|---|---|
The Reprimand ca. 1880 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | ||
The Lord Is My Shepherd ca. 1863 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | ||
The Girl I Left Behind Me 1870-1875 Smithsonian American Art Museum Washington, D.C. | Eastman Johnson imagined a soldier's wife standing on the hill where they parted. The crimson lining of her wind-whipped cape suggests their passionate love for one another, while her wedding ring, appearing almost at the center of the painting, ensures the young bride's devotion. Johnson had witnessed the Battle of Manassas in 1862, and the... | GA | Anonymous | |
The Funding Bill 1881 Metropolitan Museum of Art New York, NY | Unrated | Anonymous | ||
The Early Scholar c. 1865 National Gallery of Art Washington, D.C. | GA | Anonymous | ||
The Brown Family 1869 National Gallery of Art Washington, D.C. | GA | Anonymous | ||
Study for "The Boy Lincoln Reading" middle 19th/early 20th Century Detroit Institute of Arts Detroit, MI | GA | Anonymous | ||
Self Portrait 1863 Art Institute of Chicago Chicago, IL | GA | Anonymous | ||
Sanford Robinson Gifford 1880 Metropolitan Museum of Art New York, NY | Unrated | Anonymous | ||
Samuel W. Rowse c. 1881 Cleveland Museum of Art Cleveland, OH | GA | Anonymous |
- Eastman Johnson