PreviewDescriptionNotesContentUpdated by
Samuel Taylor Coleridge (2)

Wordsworth Museum

Grasmere, UK

 UnratedAnonymous
Italian Landscape

1828/1830
oil on canvas
30 1/4 x 25 1/4 in. (76.8 x 64.1 cm) Framed: 35 1/4 x 30 3/16 x 3 5/8 in.

Detroit Institute of Arts

Detroit, MI

 GAAnonymous
The Flight of Florimell

1819
oil on canvas
36 x 28 in. (91.4 x 71.1 cm) Framed: 47 1/8 x 39 1/4 x 4 1/2 in.

Detroit Institute of Arts

Detroit, MI

 GAAnonymous
Belshazzar's Feast

1817/1843
oil on canvas
Framed: 164 x 216 x 9 1/2 in. ( 416.56 x 548.64 x 24.13 cm) 144 1/8 x 192 1/8 in. (366.1 x 488.0 cm)

Detroit Institute of Arts

Detroit, MI

 GAAnonymous
The Spanish Girl in Reverie

1831
oil on canvas
30 x 25 in. (76.2 x 63.5 cm)

Metropolitan Museum of Art

New York, NY

 GAAnonymous
Italian Shepherd Boy

ca. 1821-1823
oil on canvas
46 7/8 x 33 9/16 in. (119 x 85.3 cm)

Brooklyn Museum

New York, NY

 GAAnonymous
Self-Portrait

c. 1800
oil on canvas
85.4 x 66.6 cm (33 5/8 x 26 1/4 in.)

Harvard University Art Museums

Cambridge, MA

 GAAnonymous
Samuel Taylor Coleridge

1806
oil on canvas
75.2 x 63.3 cm (29 5/8 x 24 15/16 in.)

Harvard University Art Museums

Cambridge, MA

 GAAnonymous
Rebecca at the Well

1816
oil on canvas
77.6 x 92.9 cm (30 9/16 x 36 9/16 in.)

Harvard University Art Museums

Cambridge, MA

 GAAnonymous
Hermia and Helena

before 1818
oil on canvas
30 3/8 x 25 1/4 in. (77.2 x 64.2 cm.)

Smithsonian American Art Museum

Washington, D.C.

notes
Hermia and Helena in England when the poet Samuel Taylor Coleridge was reviving Shakespeare's plays. A friend of Allston's, Coleridge felt that Shakespeare expressed human sentiment perfectly.
GAAnonymous
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