PreviewDescriptionNotesContent
Updated by
Factory--Study For "Ironworkers, Noontime"

1880
Oil on paperboard
8 1/2 X 12 7/8 IN. (21.4 X 32.7 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution

Washington, D.C.

 GAAnonymous
Two Musicians

Charcoal and pastel on paper
24 5/8 X 18 3/4 IN. (62.7 X 47.6 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution

Washington, D.C.

 GAAnonymous
Portrait of Margaret Perot

ca. 1908
oil on canvas
64 1/8 X 40 IN. (162.7 X 101.5 cm)

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution

Washington, D.C.

 GAAnonymous
The Way They Live

1879
oil on canvas
24 x 17 in. (61 x 43.2 cm)

Metropolitan Museum of Art

New York, NY

 GAAnonymous
A Rose

1907
oil on canvas
58 x 43 7/8 in. (147.3 x 111.4 cm)

Metropolitan Museum of Art

New York, NY

notes
to a flower are common themes in late-nineteenth-century American painting. They reflect the contemporary definition of a woman's proper sphere: the realm of leisure, beauty, and the aesthetic, harmonious domestic environment. "A Rose" reflects Anshutz's simultaneous appreciation of Eakins's academic rigor and psychological probing and John Singer...
GAAnonymous
Rooftops, St. Cloud

watercolor over graphite
overall: 25.6 x 19.2 cm (10 1/16 x 7 9/16 in.)

National Gallery of Art

Washington, D.C.

 GAAnonymous
Boy Reading: Ned Anshutz

ca. 1900
oil on canvas
38 1/16 x 27 1/16 in. (96.7 x 68.8 cm)

Brooklyn Museum

New York, NY

 GAAnonymous
Man in Boat

1894
Watercolor over graphite on cream, moderately thick, slightly textured woven paper
8 13/16 x 12 15/16 in. (22.4 x 32.9 cm) Frame: 16 3/8 x 21 1/4 x 1 1/2 in. (41.6 x 54 x 3.8 cm)

Brooklyn Museum

New York, NY

 GAAnonymous
House and Tree (The Artist's House)

after 1895
Oil on laminated paperboard
7 7/8 x 10 3/8 in. (20 x 26.4 cm)

Brooklyn Museum

New York, NY

 GAAnonymous
Study for Steamboat on the Ohio

c. 1896
oil on cardboard
H: 8 x W: 15 inches (H: 20 x W: 38 cm)

Carnegie Institute, Museum of Art

Pittsburgh, PA

notes
This oil sketch is a preliminary study for Steamboat on the Ohio. Thomas Anshutz developed the composition in a series of photographs, pastel studies, and this oil version, which resolves the spatial relationships between the shorelines, boats, and swimmers. However, in the final painting, he altered the positions of several figures and painted the...
GAAnonymous
You are redirected to this page because your browser does not accept cookies and/or does not support Javascript. Please check your browser settings and try again.