Tommies Bathing

John Singer Sargent American

Not on view

As in the other "Tommies Bathing" in the Museum's collection (50.130.58), Sargent employed a high, voyeuristic viewpoint. Here, however, it is enhanced by the proximity of the men to each other and their state of complete relaxation and obliviousness. With impressive technical facility he captured the shadows cast across the bodies by the blades of grass.

Tommies Bathing, John Singer Sargent (American, Florence 1856–1925 London), Watercolor and graphite on white wove paper, American

This image cannot be enlarged, viewed at full screen, or downloaded.

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.

API

Public domain data for this object can also be accessed using the Met's Open Access API.

Tommies Bathing, John Singer Sargent (American, Florence 1856–1925 London), Watercolor and graphite on white wove paper, American
Tommies Bathing, John Singer Sargent (American, Florence 1856–1925 London), Watercolor and graphite on white wove paper, American
Tommies Bathing, John Singer Sargent (American, Florence 1856–1925 London), Watercolor and graphite on white wove paper, American
Tommies Bathing, John Singer Sargent (American, Florence 1856–1925 London), Watercolor and graphite on white wove paper, American
Tommies Bathing, John Singer Sargent (American, Florence 1856–1925 London), Watercolor and graphite on white wove paper, American
Tommies Bathing, John Singer Sargent (American, Florence 1856–1925 London), Watercolor and graphite on white wove paper, American

This artwork is meant to be viewed from right to left. Scroll left to view more.