The Seattle Art Museum (commonly known as "SAM") is an art museum located in Seattle, Washington, USA. It maintains three major facilities: its main museum in downtown Seattle; the Seattle Asian Art Museum (SAAM) in Volunteer Park on Capitol Hill, and the Olympic Sculpture Park on the central Seattle waterfront, which opened on January 20, 2007. Admission to the sculpture park is always free. Admission to the other facilities is free on the first Thursday of each month; SAM also offers free admission the first Saturday of the month. And even the normal admission is suggested, meaning that the museum would like visitors to pay the complete admission but if they can not pay fully they can still enjoy the museum.[1]
History
The SAM collection has grown from 1,926 pieces in 1933 to nearly 25,000 as of 2008. Its original museum provided an area of 25,000 square feet (2,300 m2); the present facilities provide 312,000 square feet (29,000 m2) plus a 9-acre (3.6 ha) park. Paid staff have increased from 7 to 303, and the museum library has grown from approximately 1,400 books to 33,252.
SAM traces its origins to the Seattle Fine Arts Society (organized 1905) and the Washington Arts Association (organized 1906), which merged in 1917, keeping the Fine Arts Society name. In 1931 the group renamed itself as the Art Institute of Seattle. The Art Institute housed its collection in Henry House, the former home, on Capitol Hill, of the collector and founder of the Henry Art Gallery, Horace C. Henry (1844–1928).[2][3]
Richard E. Fuller, president of the Seattle Fine Arts Society, was the animating figure of SAM in its early years. During the Great Depression, he and his mother, Margaret MacTavish Fuller, donated $250,000 to build an art museum in Volunteer Park on Seattle's Capitol Hill. The city provided the land and received ownership of the building. Carl F. Gould of the architectural firm Bebb and Gould designed an Art Deco / Art Moderne building for the museum, which opened June 23, 1933. The Art Institute collection formed the core of the original SAM collection; the Fullers soon donated additional pieces. The Art Institute was responsible for managing art activities when the museum first opened. Fuller served as museum director into the 1970s, never taking a salary.[2][3]
Among the museum's notable exhibitions (besides the aforementioned Treasures of Tutankhamun) were a 1954 exhibition of 25 European paintings and sculptures from the Samuel H. Kress Foundation; these pieces were donated to SAM in 1961. A 1959 Van Gogh exhibit drew 126,100 visitors. That same year, SAM organized a retrospective of the work of Northwest School painter Mark Tobey that traveled to four other U.S. museums. Tobey's works and highlights of SAM's Asian collection were featured under the museum's aegis at the Century 21 Exposition (the 1962 Seattle World's Fair). A Jacob Lawrence retrospective in 1974 honored a giant of African American art who had settled in Seattle four years earlier. Leonardo Lives(1997) featured the Codex Leicester, the last manuscript of Leonardo da Vinci in private hands, which had then been recently purchased by Bill Gates.[4]
SAM joined with the National Council on the Arts (later NEA), Richard Fuller, and the Seattle Foundation (in part, another Fuller family endeavor) to acquire and install Isamu Noguchi's sculpture Black Sun in front of the museum in Volunteer Park. It was the NEA's first commission in Seattle.[5]
In 1983–1984, the museum received a donation of half of a downtown city block, the former J. C. Penney department store[6] on the west side of Second Avenue between Union and Pike Streets. They eventually decided that this particular block was not a suitable site: that land was sold for private development as the Newmark Building, and the museum acquired land in the next block south.[7] On December 5, 1991, SAM reopened in a $62 million[8] downtown facility designed byRobert Venturi.[9] The next year, Jonathan Borofsky's Hammering Man (one of several such pieces by Borofsky) was installed outside the museum as part of Seattle City Light's One Percent for Art program.[10] Hammering Man would have been installed in time for the museum's opening, but on September 28, 1991, as workers attempted to erect the piece, it fell, was damaged, and had to be returned to the foundry for repairs.[11] In 1994 the Volunteer Park facility reopened as the Seattle Asian Art Museum. In 2007 the Olympic Sculpture Park opened to the public, culminating an 8-year process.[10]
Collection
As of June 2008, the SAM collection includes nearly 25,000 pieces. Among them are Alexander Calder's Eagle (1971) and Richard Serra's Wake (2004), both at the Olympic Sculpture Park; the aforementioned Hammering Man; Cai Guo-Qiang's Inopportune: Stage One (2004), a sculpture constructed from cars and sequenced multi-channel light tubes on display in the lobby of the SAM Downtown; The Judgment of Paris (c. 1516-18) by Lucas Cranach the Elder; Mark Tobey's Electric Night (1944); Yéil X'eenh (Raven Screen) (c. 1810), attributed to the Tlingit artist Kadyisdu.axch'; Do-Ho Suh's Some/One (2001); and a coffin in the shape of a Mercedes Benz (1991) by Kane Quaye ofGhana. While SAM's collections of modern and ethnic art are notable, its collection of more-traditional European painting and sculpture is quite thin, and the Museum relies on traveling exhibitions rather than its own collection to fill that notable gap. Nevertheless, there are early Italian paintings by Dalmasio Scannabecchi, Puccio di Simone, Giovanni di Paolo, Luca Di Tomme, Bartolomeo Vivarini, and Paolo Uccello. There are paintings by V. Sellaer, Jan Molenaer, Emanuel De Witte, Luca Giordano, Luca Carlevaris, Armand Guillaumin, and Camille Pissarro. This museum also has a large collection of Twentieth Century American paintings by Jacob Lawrence and Mark Tobey. There is an appreciable collection of Aboriginal Australian Art.
Notes
1. ^ "Seattle Weekly: Pay What You Can at SAM". Retrieved 2009-02-23.
2. ^ a b Dave Wilma, "Seattle Art Museum opens in Volunteer Park on June 23, 1933", historylink.org, accessed March 11, 2007
4. ^ "SAM at 75", p. 12–14.
6. ^ "SAM at 75", p. 13.
7. ^ Ferdinand M. De Leon, Money Troubles Cloud Opening Of New Seattle Art Museum, Seattle Times, December 1, 1991. Accessed online 19 June 2008.
8. ^ Timothy Egan (December 10, 1991), Museum By Venturi Opens In Seattle New York Times.
9. ^ David Wilma, Seattle Art Museum opens downtown on December 5, 1991, HistoryLink, September 5, 2001. Accessed online 19 June 2008.
10. ^ a b "SAM at 75", p. 14–15.
11. ^ David Wilma, Seattle Art Museum's Hammering Man falls on September 28, 1991, HistoryLink, September 5, 2001. Accessed online 19 June 2008.
