PreviewDescription
ArtistNotes
Landscape with Figures and Boats

by John Quidor

c. 1867
Oil on canvas
26 x 35.9 cm (10 1/4 x 14 1/8 in.)

Art Institute of Chicago

Chicago, IL

Quidor, John 
Landscape with Dog

by Thomas Doughty

1832
Oil on composition board
24.8 x 29.2 cm (9 3/4 x 11 1/2 in.)

Art Institute of Chicago

Chicago, IL

Doughty, Thomas 
Landscape No. 3, Cash Entry Mines, New Mexico

by Marsden Hartley

1920
oil on canvas
70.6 x 90.8 cm

Art Institute of Chicago

Chicago, IL

Hartley, Marsden 
Lake At Appledale

by Walter Launt Palmer

1884
Pastel on tan woven paper
387 x 546 mm

Art Institute of Chicago

Chicago, IL

Palmer, Walter Launt 
Kauterskill Clove, Catskill Mountains

by Sanford Robinson Gifford

1880
oil on canvas
33.7 x 27 cm (13 1/4 x 10 5/8 in.)

Art Institute of Chicago

Chicago, IL

Gifford, Sanford Robinson 
Kaaterskill Falls

by Sanford Robinson Gifford

1871
oil on canvas
14 3/4 x 12 1/2 in. (37.5 x 31.8 cm) Framed : 25 1/2 x 23 1/4 x 2 3/4 in.

Art Institute of Chicago

Chicago, IL

Gifford, Sanford Robinson 
Just Dessert

by William Michael Harnett

1891
oil on canvas
56.6 x 68 cm (22 1/4 x 26 3/4 in.)

Art Institute of Chicago

Chicago, IL

Harnett, William Michael 
John Nicholson

by Charles Willson Peale

1790
oil on canvas
91.5 x 70 cm (36 x 27 1/2 in.)

Art Institute of Chicago

Chicago, IL

Peale, Charles Willson 
Jim And His Daughter

by Walter Ufer

1923
oil on canvas
77.5 x 64.1 cm (30 1/2 x 25 1/4 in.)

Art Institute of Chicago

Chicago, IL

Ufer, Walter 
Interior Of St. Mark's, Venice

by David Dalhoff Neal

1869
oil on canvas
184.2 x 148.9 cm (72 1/2 x 58 1/2 in.)

Art Institute of Chicago

Chicago, IL

Neal, David Dalhoff 
In the Omnibus

by Mary Cassatt

1890-91
Color drypoint and aquatint, from three plates, partially printed a la poupee, on ivory laid paper
367 x 268 mm (plate); 437 x 300 mm (sheet)

Art Institute of Chicago

Chicago, IL

Cassatt, Mary 
Icebound

by John Henry Twachtman

c. 1889
oil on canvas
64. 2 x 76.6 cm (25 1/4 x 30 1/8 in.)

Art Institute of Chicago

Chicago, IL

Twachtman, John Henrynotes
Ownership History: John Forsythe, New York, by 1913; American Art Association, New York, 1913; N.E. Montross Gallery, New York, 1913; sold by them to the Art Institute, 1917.
Icebound

by Willard Leroy Metcalf

1909
oil on canvas
73.7 x 66.4 cm (29 x 26 1/8 in.)

Art Institute of Chicago

Chicago, IL

Metcalf, Willard Leroynotes
Exhibition History: Milwaukee Art Institute, Exhibition of Forty Paintings presented to the Art Institute of Chicago by the Friends of American Art, March 1-29, 1925, cat.26; Hanover, New Hampshire, Hood Museum of Art, Winter's Promise: Willard Metcalf in Cornish, New Hamshire, 1909-1920, January 9-March 14, 1999.
Husking Bee, Island of Nantucket

by Eastman Johnson

1876
oil on canvas
69.3 x 137 cm (27 1/4 x 54 3/16 in.)

Art Institute of Chicago

Chicago, IL

Johnson, Eastman 
Historians Of The Tribe

by Frederic Remington

1890/99
oil on canvas
62.2 x 111.4 cm (24 1/4 x 43 7/8 in.)

Art Institute of Chicago

Chicago, IL

Remington, Frederic 
Himself

by Robert Henri

1913
oil on canvas
81.9 x 66.4 cm (32 1/4 x 26 1/8 in.)

Art Institute of Chicago

Chicago, IL

Henri, Robert 
Herself

by Robert Henri

1913
oil on canvas
81.3 x 66 cm (32 x 26 in.)

Art Institute of Chicago

Chicago, IL

Henri, Robert 
Henry Hill

by John Singleton Copley

c. 1765/70
Pastel on brown paper laid down on canvas, linen or board
61 x 45.7 cm (24 x 18 in.; 580 x 433 mm); 580 x 433 mm (sight)

Art Institute of Chicago

Chicago, IL

Copley, John Singletonnotes
Roger and J. Peter McCormick Endowments; restricted gift of William C. Vance from the Vance Family Foundation; Maurice D. Galleher Endowment and General Acquisitions funds
He Was The Law (Billy The Kid)

by Frederic Remington

1901
Oil on canvas
68.6 x 102.2 cm (27 x 40 1/4 in.)

Art Institute of Chicago

Chicago, IL

Remington, Frederic 
Harriet White

by Samuel Lovett Waldo

1835-40
oil on canvas
123.5 x 89.5 cm (48 5/8 x 35 1/4 in.)

Art Institute of Chicago

Chicago, IL

Waldo, Samuel Lovett 
Harlequin Duck

by Robert Havell

1826/39
Hand-colored engraving with aquatint and etching on ivory woven paper
525 x 717 mm (plate); 655 x 979 mm

Art Institute of Chicago

Chicago, IL

Havell, Robert 
Guns Must Be Delivered

by Frederic Remington

1902
oil on canvas
68.6 x 102.2 cm (27 x 40 1/4 in.)

Art Institute of Chicago

Chicago, IL

Remington, Frederic 
Grant Park, Congress Street

by Frederick Childe Hassam

c. 1911/14
Watercolor over graphite, on ivory woven paper
230 x 318 mm

Art Institute of Chicago

Chicago, IL

Hassam, Frederick Childe 
Gondolas, Grand Canal, Venice

by Robert Frederick Blum

Watercolor over traces of black chalk on ivory woven paper
241 x 326 mm

Art Institute of Chicago

Chicago, IL

Blum, Robert Frederick 
Francisco Street, City Of Mexico

by Worthington Whittredge

Watercolor over graphite, heightened with touches of white gouache, on cream woven paper
381 x 267 mm

Art Institute of Chicago

Chicago, IL

Whittredge, Worthington 
Frances at the Piano

by Frederick Carl Frieseke

1929
Watercolor with touches of black chalk on off-white woven paper, discolored to cream
302 x 280 mm

Art Institute of Chicago

Chicago, IL

Frieseke, Frederick Carl 
Forest Interior

by Worthington Whittredge

1882
oil on canvas
69.5 x 70.2 cm (27 3/8 x 27 5/8 in.)

Art Institute of Chicago

Chicago, IL

Whittredge, Worthington 
For Sunday's Dinner

by William Michael Harnett

1888
oil on canvas
94.3 x 53.6 cm (37 1/8 x 21 1/8 in.)

Art Institute of Chicago

Chicago, IL

Harnett, William Michael 
Flowers (Cyclamen)

by Charles Demuth

1920
Watercolor and graphite on off-white woven paper
302 x 352 mm

Art Institute of Chicago

Chicago, IL

Demuth, Charles 
Flowers

by Julian Alden Weir

1880
Watercolor and gouache on cream wood-pulp laminate board
665 x 560 mm

Art Institute of Chicago

Chicago, IL

Weir, Julian Alden 
Fish Series, No. 7

by Charles Demuth

1917
Watercolor over graphite on ivory laid paper
163 x 203 mm

Art Institute of Chicago

Chicago, IL

Demuth, Charles 
Fish Series, No. 6

by Charles Demuth

1918
Watercolor and graphite on cream woven paper
202 x 252 mm

Art Institute of Chicago

Chicago, IL

Demuth, Charles 
Fish

by Shepard Alonzo Mount

1842
Oil on panel
17.2 x 27.3 cm (6 3/4 x 10 3/4 in.)

Art Institute of Chicago

Chicago, IL

Mount, Shepard Alonzo 
First And Best Camp Of The Trip

by Frederic Remington

1895
oil on canvas
68.9 x 102.6 cm (27 1/8 x 40 3/8 in.)

Art Institute of Chicago

Chicago, IL

Remington, Frederic 
Fire-eater Raised His Arms

by Frederic Remington

c. 1900
oil on canvas
69.2 x 102.6 cm (27 1/4 x 40 3/8 in.)

Art Institute of Chicago

Chicago, IL

Remington, Frederic 
Feeding the Ducks

by Mary Cassatt

c. 1895
Drypoint and aquatint, with monotype inking, in color on cream laid paper
297 x 395 mm (plate); 386 x 495 mm (sheet)

Art Institute of Chicago

Chicago, IL

Cassatt, Mary 
Family Group At Piano

by Eunice Pinney

c. 1820
Watercolor on paper
355 x 410 mm

Art Institute of Chicago

Chicago, IL

Pinney, Eunice 
Falls Of St. Anthony On The Mississippi, Plate Seven Of The First Number Of Picturesque Views Of American Scenery

by John Hill

1819/21
Aquatint with etching and hand-coloring on cream woven paper
249 x 337.5 mm (image); 286 x 376 mm (plate); 382 x 557 mm (sheet)

Art Institute of Chicago

Chicago, IL

Hill, John 
Dr. Joseph Klapp

by Thomas Sully

1814
oil on canvas
91.4 x 71.1 cm (36 x 28 in.)

Art Institute of Chicago

Chicago, IL

Sully, Thomasnotes
Ownership History: Dr. Joseph Klapp (died 1843), Philadelphia, Pa., 1814; by descent to Dr. William Henry Klapp (died 1855), 1843. By descent to Dr. William H. Klapp (died 1924), Philadelphia, Pa., by 1921; by descent to Langdon Williams (married to Anna Klapp, daughter of Dr. William H. Klapp), Philadelphia, Pa. by 1924. Richard C. Morrison,...
Dr. Jonathan Potts

by Henry Benbridge

1770/76
oil on canvas
61.6 x 48.9 cm (24 1/4 x 19 1/4 in.)

Art Institute of Chicago

Chicago, IL

Benbridge, Henry 
Daniel Hubbard

by John Singleton Copley

1764
oil on canvas
127.2 x 100.8 cm (50 1/8 x 39 11/16 in.)

Art Institute of Chicago

Chicago, IL

Copley, John Singleton 
Dance at Insane Asylum

by George Wesley Bellows

1907
Charcoal, with stumping, pen and black ink, brown crayon, and touches of white chalk on ivory woven paper
480 x 630 mm

Art Institute of Chicago

Chicago, IL

Bellows, George Wesley 
Dad's Coming

by Winslow Homer

1873
Wood engraving on buff woven paper
233 x 348 mm (image); 276 x 396 mm (sheet)

Art Institute of Chicago

Chicago, IL

Homer, Winslow 
Cows in a Pond at Sunset

by Sanford Robinson Gifford

1860
oil on canvas
19.1 x 35.9 cm (7 1/2 x 14 1/8 in.)

Art Institute of Chicago

Chicago, IL

Gifford, Sanford Robinson 
Cornelius Allerton

by Ammi Phillips

1821/22
oil on canvas
83.8 x 69.9 cm (33 x 27 1/2 in.)

Art Institute of Chicago

Chicago, IL

Phillips, Ammi 
Coming Squall (Nahant Beach with a Summer Shower)

by Thomas Doughty

1835
oil on canvas mounted on cradled panel
52.1 x 71.4 cm (20 1/2 x 28 1/8 in.)

Art Institute of Chicago

Chicago, IL

Doughty, Thomas 
Coast of Sarranto

by William Stanley Haseltine

1858
Watercolor and pen and black ink, over graphite, on cream woven paper, laid down on board
456 x 593 mm

Art Institute of Chicago

Chicago, IL

Haseltine, William Stanley 
Church

by Frederick Childe Hassam

1910
Colored pencils and red Conte crayon, with touches of graphite on light brown woven paper
305 x 228 mm (sheet, sight)

Art Institute of Chicago

Chicago, IL

Hassam, Frederick Childe 
Ceremony Of The Fastest Horse

by Frederic Remington

c. 1900
oil on canvas
101.9 x 69.2 cm (40 1/8 x 27 1/4 in.)

Art Institute of Chicago

Chicago, IL

Remington, Frederic 
Capture of the Tripoli by the Enterprise

by Thomas Birch

1806/12
oil on canvas
45.1 x 65.1 cm (17 3/4 x 25 5/8 in.)

Art Institute of Chicago

Chicago, IL

Birch, Thomas 
Call The Doctor

by Frederic Remington

1889
oil on canvas
61.2 x 86.9 cm (24 1/16 x 34 3/16 in.)

Art Institute of Chicago

Chicago, IL

Remington, Frederic 
By the Pond

by Mary Cassatt

c. 1898
Color drypoint and aquatint, from three plates on greenish-gray laid paper
328 x 430 mm (image/plate); 400 x 469 mm (sheet)

Art Institute of Chicago

Chicago, IL

Cassatt, Mary 
Business

by Charles Demuth

1921
oil on canvas
51 x 61.5 cm (20 x 24 1/4 in.)

Art Institute of Chicago

Chicago, IL

Demuth, Charles 
Burning Of Savannah, Plate Four Of The Second Number Of Picturesque Views Of American Scenery

by John Hill

1819/21
Aquatint with etching and hand-coloring on cream woven paper
253 x 350 mm (image); 301 x 384 mm (plate); 381 x 562 mm (sheet)

Art Institute of Chicago

Chicago, IL

Hill, John 
Brooklyn Bridge

by Henry Ward Ranger

1899
oil on canvas
72.4 x 91.8 cm (28 1/2 x 36 1/8 in.)

Art Institute of Chicago

Chicago, IL

Ranger, Henry Ward 
Boats at Rest

by Arthur Wesley Dow

c. 1895
oil on canvas
66 x 91.4 cm (26 x 36 in.)

Art Institute of Chicago

Chicago, IL

Dow, Arthur Wesleynotes
Ownership History: Private collection, New England, to 1990; Spanierman Gallery, New York, 1990; sold to The Art Institute of Chicago, 1990.
Blasted Tree

by Jasper Francis Cropsey

1850
oil on canvas
43.2 x 35.6 cm (17 x 14 in.)

Art Institute of Chicago

Chicago, IL

Cropsey, Jasper Francis 
Black Backed Gull

by Robert Havell

1826/39
Hand-colored engraving with aquatint and etching on cream woven paper
966 x 648 mm (plate); 979 x 657 mm

Art Institute of Chicago

Chicago, IL

Havell, Robert 
Bird's Nest and Ferns

by Fidelia Bridges

1863
Oil on panel
20 x 16.8 cm (7 7/8 x 6 5/8 in.)

Art Institute of Chicago

Chicago, IL

Bridges, Fidelia 
Bermuda No.3 - The Tower

by Charles Demuth

1917
Watercolor over graphite on off-white woven paper
254 x 354 mm

Art Institute of Chicago

Chicago, IL

Demuth, Charles 
Bar-Room Scene

by William Sidney Mount

1835
oil on canvas
57.4 x 69.7 cm (22 5/8 x 27 7/16 in.)

Art Institute of Chicago

Chicago, IL

Mount, William Sidneynotes
Ownership History: Gouverneur Kemble, Cold Spring, N.Y., 1835. Ehrich Galleries, New York, by 1911; William Owen and Erna Sawyer Goodman, Chicago, 1911; given to the Art Institute, 1939.
Bailey's Beach, Newport

by Frederick Childe Hassam

1901
oil on canvas
61 x 66 cm (24 x 26 in.)

Art Institute of Chicago

Chicago, IL

Hassam, Frederick Childe 
At Mouquin's

by William Glackens

1905
oil on canvas
122.4 x 92.1 cm (48 1/8 x 36 1/4 in.)

Art Institute of Chicago

Chicago, IL

Glackens, Williamnotes
Ownership History: C.W. Kraushaar Gallery, New York, by 1925; sold to The Art Institute of Chicago, 1925.
Armenian Fathers

by George P.A. Healy

1870
oil on canvas
138.4 x 102.9 cm (54 1/2 x 40 1/2 in.)

Art Institute of Chicago

Chicago, IL

Healy, George P.A. 
An Artist at His Easel

by John Singer Sargent

1914
Watercolor over traces of graphite on cream wove paper
40 x 53.4 cm

Art Institute of Chicago

Chicago, IL

Sargent, John Singer 
Afternoon Tea Party

by Mary Cassatt

1890-91
Color drypoint and aquatint, from three plates, with brush and gold paint, on ivory laid paper
348 x 270 mm (image/plate); 432 x 301 mm (sheet)

Art Institute of Chicago

Chicago, IL

Cassatt, Mary 
Afternoon Tea

by James McNeill Whistler

1897
Transfer lithograph in black on tan laid Japanese vellum
185 x 157 mm (image); 397 x 242 mm (sheet)

Art Institute of Chicago

Chicago, IL

Whistler, James McNeill 
After the Bullfight

by Mary Cassatt

1873
oil on canvas
82.5 x 64 cm (32 1/8 x 25 3/16 in.)

Art Institute of Chicago

Chicago, IL

Cassatt, Mary 
Abigail Inskeep Bradford

by Rembrandt Peale

1803/08
oil on canvas
68.6 x 55.9 cm (27 x 22 in.)

Art Institute of Chicago

Chicago, IL

Peale, Rembrandt 
Abigail Chesebrough (Mrs. Alexander Grant)

by Joseph Blackburn

1754
oil on canvas
127.6 x 101.5 cm (50 x 40 in.)

Art Institute of Chicago

Chicago, IL

Blackburn, Josephnotes
Ownership History: David Chesebrough, Newport, Rhode Island, and Stonington, Conn., from 1754; by descent to Abigail Chesebrough, Newport, Rhode Island, from 1782 to 1807; by descent to Deacon David Chesebrough Smith, Stonington, Conn., from 1808 to 1833; by descent to Betsey Smith Williams, Stonington, Conn., from 1833 to 1860; by descent to Bessie...
A Wharf

by James McNeill Whistler

1859
Etching and drypoint with foul biting in black ink on ivory laid paper
152 x 228 mm (plate); 225 x 341 mm (sheet)

Art Institute of Chicago

Chicago, IL

Whistler, James McNeill 
A Snowy Morning

by Frances Flora Palmer

1864
Lithograph, with hand coloring on ivory woven paper
295 x 417 mm (image); 357 x 458 mm (sheet)

Art Institute of Chicago

Chicago, IL

Palmer, Frances Flora 
A Sly Drink at the Camp (Study)

by Eastman Johnson

1860-73
Oil on millboard
53.7 x 63.5 cm (21 1/8 x 25 in.)

Art Institute of Chicago

Chicago, IL

Johnson, Eastman 
A Sketch from Billingsgate

by James McNeill Whistler

1878
Drypoint in black ink on cream laid paper
159 x 226 mm (plate); 170 x 249 mm (sheet)

Art Institute of Chicago

Chicago, IL

Whistler, James McNeill 
A Sketch at Dieppe

by James McNeill Whistler

1885-86
Etching in black ink on ivory laid paper
50 x 82 mm (image/sheet, trimmed within platemark)

Art Institute of Chicago

Chicago, IL

Whistler, James McNeill 
A Rainy Day

by Frank Weston Benson

1906.
oil on canvas.
25 x 30 in. (63.6 x 76.3 cm).

Art Institute of Chicago

Chicago, IL

Benson, Frank Westonnotes
Subject: Portrait female -- Rogers, C. M. A., Mrs. (Elisabeth (Betty) Benson) -- Full length; Recreation -- Leisure -- Reading; Architecture interior -- Domestic -- House; Architecture interior -- Detail -- Fireplace; Object -- Furniture -- Mirror.
A Portrait: Mildred Howells

by James McNeill Whistler

1894/96
Transfer lithograph in black with scraping, on ivory laid paper
226 x 197 mm (image); 319 x 202 mm (sheet)

Art Institute of Chicago

Chicago, IL

Whistler, James McNeill 
A Nude Figure

by James McNeill Whistler

c. 1878
Charcoal with white and orange chalk on coarse brown woven paper
287 x 186 mm

Art Institute of Chicago

Chicago, IL

Whistler, James McNeill 
A Mexican Vaquero

by Frederic Remington

1890
oil on canvas
82.6 x 58.4 cm (32 1/2 x 23 in.)

Art Institute of Chicago

Chicago, IL

Remington, Frederic 
A Holiday

by Edward Henry Potthast

c. 1915
oil on canvas
76.4 x 101.8 cm (30 1/8 x 40 1/8 in.)

Art Institute of Chicago

Chicago, IL

Potthast, Edward Henrynotes
In A Holiday, Edward Henry Potthast used a luminous palette to capture the sun-drenched sensations of a day at the seashore. Light gleams on the bathing dresses of the group of girls in the foreground, while their reflections sparkle on the water swirling at their feet. Beyond the sandbar, waves break into foaming white crests, and deep water darkens...
A Country Scene

by John La Farge

July 1848
Graphite with smudging, heightened with lead white gouache, on blue woven paper
270 x 380 mm

Art Institute of Chicago

Chicago, IL

La Farge, John 
A Club on a Cushion

by James McNeill Whistler

c. 1899
Pen and black ink over graphite heightened with lead white (discolored), on cream woven card
120 x 150 mm

Art Institute of Chicago

Chicago, IL

Whistler, James McNeill 
9th U.s. Infantry Entering Peking, August 15, 1900

by Frederic Remington

1900
oil on canvas
68.9 x 102.2 cm (27 1/8 x 40 1/4 in.)

Art Institute of Chicago

Chicago, IL

Remington, Frederic 
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