PreviewDescriptionArtist
Notes
Packet Ship Passing Castle Williams, New York Harbor

by Thomas Chambers

mid 19th century
oil on canvas
overall: 56.5 x 76.1 cm (22 1/4 x 29 15/16 in.)

National Gallery of Art

Washington, D.C.

Chambers, Thomas 
Storm-tossed Frigate

by Thomas Chambers

mid 19th century
Oil on canvas
overall: 54.4 x 77.2 cm (21 7/16 x 30 3/8 in.) framed: 66 x 87.6 x 5.7 cm (26 x 34 1/2 x 2 1/4 in.)

National Gallery of Art

Washington, D.C.

Chambers, Thomas 
Threatening Sky, Bay Of New York

by Thomas Chambers

mid 19th century
oil on canvas
Overall: 46 x 61.5 cm (18 1/8 x 24 3/16 in.) framed: 55.8 x 71.1 x 5.3 cm (21 15/16 x 28 x 2 1/16 in.)

National Gallery of Art

Washington, D.C.

Chambers, Thomas 
Woman and a Crane (Vigilance)

by Frederick Stuart Church

1892
soft-ground etching, drypoint, and graphite on thin woven paper
plate: 19.3 x 29 cm (7 5/8 x 11 7/16 in.) sheet: 41.1 x 58.7 cm (16 3/16 x 23 1/8 in.)

National Gallery of Art

Washington, D.C.

Church, Frederick Stuart 
The Harbor of Seville

by Samuel Colman

1867
watercolor and gouache
overall: 31.5 x 70 cm (12 3/8 x 27 9/16 in.)

National Gallery of Art

Washington, D.C.

Colman, Samuel 
The Copley Family

by John Singleton Copley

1776/1777
oil on canvas
overall: 184.1 x 229.2 cm (72 1/2 x 90 1/4 in.) framed: 226.1 x 271.8 x 13.9 cm (89 x 107 x 5 1/2 in.)

National Gallery of Art

Washington, D.C.

Copley, John Singleton 
Villa d'Este, Tivoli

by Jasper Francis Cropsey

1848
graphite with touches of white heightening and brown wash on woven paper
overall: 29.8 x 42.2 cm (11 3/4 x 16 5/8 in.)

National Gallery of Art

Washington, D.C.

Cropsey, Jasper Francisnotes
Inscription: lower right: J.F. Cropsey / Villa d'Este, Tivoli / Oct. 1848; in later hand, lower left in ink: #116
Rocks near the Landing at Bald Porcupine Island, Bar Harbor

by Felix Octavius Darley

1872
Pencil and wash on paper
9 15/16 x 13 15/16

National Gallery of Art

Washington, D.C.

Darley, Felix Octaviusnotes
Rocks near the Landing at Bald Porcupine Island, Bar Harbor, with its high degree of finish, is not a simple preparatory sketch but a drawing that was intended for exhibition and sale.
Flecks of Foam

by Henry Golden Dearth

c. 1911/1912
Oil on wood
overall: 45.3 x 55 cm (17 13/16 x 21 5/8 in.) framed: 62.2 x 72.1 x 5.4 cm (24 1/2 x 28 3/8 x 2 1/8 in.)

National Gallery of Art

Washington, D.C.

Dearth, Henry Golden 
Grapes

by Joseph Decker

c. 1890/1895
oil on canvas
overall: 22.9 x 30.5 cm (9 x 12 in.) framed: 55.6 x 63.3 x 7.3 cm (21 7/8 x 24 15/16 x 2 7/8 in.)

National Gallery of Art

Washington, D.C.

Decker, Joseph 
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