PreviewDescription
ArtistNotes
Wandering Boulder

by Thomas Hewes Hinckley

1875
oil on canvas
31.11 x 40.96 cm (12 1/4 x 16 1/8 in.)

Museum of Fine Arts

Boston, MA

Hinckley, Thomas Hewes 
Wall Enclosing The Mausoleum Of Ieyasu At Nikko, Japan

by Henry Roderick Newman

1897
Watercolor over graphite on paper, affixed to paper mounted on a wooden panel
Overall: 41.9 x 48.3cm (16 1/2 x 19 in.) Framed: 72.4 x 53.3 cm (28 1/2 x 21 in.)

Museum of Fine Arts

Boston, MA

Newman, Henry Roderick 
Waking Up

by James Goodwyn Clonney

1851
oil on canvas
68.9 x 55.88 cm (27 1/8 x 22 in.)

Museum of Fine Arts

Boston, MA

Clonney, James Goodwyn 
Voyageurs

by Charles Deas

1846
oil on canvas
33.02 x 51.43 cm (13 x 20 1/4 in.)

Museum of Fine Arts

Boston, MA

Deas, Charles 
Virginia A. And George Simmons

by Bass Otis

1844
oil on canvas
144.78 x 100.65 cm (57 x 39 5/8 in.)

Museum of Fine Arts

Boston, MA

Otis, Bass 
Vines and Cypresses

by John Singer Sargent

c. 1910
Watercolor on paper
36.2 x 50.2 cm (14 1/4 x 19 3/4 in.)

Museum of Fine Arts

Boston, MA

Sargent, John Singer 
Villa Falconiere

by John Singer Sargent

1907
Watercolor over graphite on thick, rough, cream wove paper
37.3 x 54 cm (14 11/16 x 21 1/4 in.)

Museum of Fine Arts

Boston, MA

Sargent, John Singer 
Villa di Marlia: Lucca

by John Singer Sargent

1910
Watercolor over graphite, with wax resist
40.48 x 53.18 cm (15 15/16 x 20 15/16 in.)

Museum of Fine Arts

Boston, MA

Sargent, John Singernotes
Notes: Exhibitions John Singer Sargent, An Exhibition -- Whitney Museum, NY & The Art Institute of Chicago 1986-1987
Villa di Marlia: A Fountain

by John Singer Sargent

1910
Watercolor
52.86 x 40.32 cm (15.87 x 20.81 in.)

Museum of Fine Arts

Boston, MA

Sargent, John Singer 
Villa di Marlia, Lucca: The Balustrade

by John Singer Sargent

1910
Transparent and opaque watercolor over graphite pencil, with wax resist on paper
40 x 52 cm (15 3/4 x 20 1/2 in.)

Museum of Fine Arts

Boston, MA

Sargent, John Singernotes
This was painted in one of the villa di Marlia  near Lucca. He painted many like this in Tuscany and around Rome. He combines the elegance of the architecture with the foliage of the garden -- the post and the balustrade actually occupying a greater importance in this composition.  This simplicity and grandeur, cleanness and harmony...
You are redirected to this page because your browser does not accept cookies and/or does not support Javascript. Please check your browser settings and try again.