PreviewDescriptionArtist
Notes
Luxembourg Gardens at Twilight

by John Singer Sargent

1879
Oil on canvas
29 x 36 1/2 in.

Minneapolis Institute of Arts

Minneapolis, MN

Sargent, John Singernotes
Within the Luxembourg Gardens looking towards the dome of the Panthéon in the background.  The inscription at the bottom is partly cut off by the  image but it reads: "To my friend McKim John S Sargent." This was Charles Follen McKim who would form McKim, Mead and White, the architectural firm who would work with Sargent in 1890 on the...
A Fishing Party Off Long Island

by Junius Brutus Stearns

1860
oil on canvas
37 x 54 1/2 in. (93.98 x 138.43 cm)

Minneapolis Institute of Arts

Minneapolis, MN

Stearns, Junius Brutus 
Portrait Of William Hood Dunwoody

by Julian Story

1911
oil on canvas
50 x 40 in. (127 x 101.6 cm) (canvas) 49 x 39 in. (124.46 x 99.06 cm)

Minneapolis Institute of Arts

Minneapolis, MN

Story, Julian 
After the Reception

by Douglas Volk

1887
oil on canvas
34 3/4 x 25 1/2 in. (88.27 x 64.77 cm)

Minneapolis Institute of Arts

Minneapolis, MN

Volk, Douglas 
Portrait of John Scott Bradstreet

by Douglas Volk

c. 1890
oil on canvas
17 x 22 1/4 in. (43.18 x 56.52 cm)

Minneapolis Institute of Arts

Minneapolis, MN

Volk, Douglasnotes
In 1884, John Bradstreet moved into the Judd House, a boarding house located directly across from the Minneapolis City Hall that was occupied by some of the most fashionable people in the city. Bradstreet remodeled his rooms according to his own taste for the exotic, and Volk depicts him seated among turkeywork carpets and Moorish-inspired...
Apple Bloom

by Robert Vonnoh

1903
oil on canvas
30 1/4 x 36 1/4 in. (76.8 x 92.1 cm)

Minneapolis Institute of Arts

Minneapolis, MN

Vonnoh, Robert 
The Butterfly Catchers

by Theodore Wendel

1900-1908
oil on canvas
25 x 35 in. (63.5 x 88.9 cm)

Minneapolis Institute of Arts

Minneapolis, MN

Wendel, Theodorenotes
The Butterfly Catchers was executed at Wendel's farm in Ipswich, Massachusetts, and includes the artist's son and daughter in the foreground. The work exhibits those aspects that characterize the artist's highly personal style - a high-key color palette, sketchy, textural, handling of paint, and direct observation. The result is the convincing...
Indian Boy at Fort Snelling

by Thomas Waterman Wood

1862
oil on canvas, mounted on aluminum
29 7/8 x 25 1/4 in. (75.88 x 64.14 cm)

Minneapolis Institute of Arts

Minneapolis, MN

Wood, Thomas Waterman 
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