PreviewDescription
ArtistNotes
View Of The Great Fire Of Pittsburgh (1)

by William Coventry Wall

c. 1846
oil on canvas
H: 20 x W: 32 5/16 inches (H: 51 x W: 82 cm)

Carnegie Institute, Museum of Art

Pittsburgh, PA

Wall, William Coventry 
View Of The Great Fire Of Pittsburgh

by William Coventry Wall

1846
oil on canvas
H: 19 1/2 x W: 31 inches (H: 50 x W: 79 cm)

Carnegie Institute, Museum of Art

Pittsburgh, PA

Wall, William Coventry 
View of Gloucester from Brookbank, the Sawyer Homestead

by Fitz Hugh Lane

c. 1856
oil on canvas
H: 18 x W: 30 3/16 inches (H: 46 x W: 77 cm)

Carnegie Institute, Museum of Art

Pittsburgh, PA

Lane, Fitz Hugh 
United States Treasury

by David Gilmour Blythe

c. 1862-1863
oil on canvas
H: 16 x W: 18 inches (H: 41 x W: 46 cm)

Carnegie Institute, Museum of Art

Pittsburgh, PA

Blythe, David Gilmour 
The Woodcutter

by David Gilmour Blythe

c. 1860-1864
oil on canvas mounted on board
H: 18 1/2 x W: 25 3/8 inches (H: 47 x W: 64 cm)

Carnegie Institute, Museum of Art

Pittsburgh, PA

Blythe, David Gilmour 
The Susquehanna Near Bald Eagle Mountain

by William Louis Sonntag

1864
oil on canvas
H: 30 x W: 50 inches (H: 76 x W: 127 cm)

Carnegie Institute, Museum of Art

Pittsburgh, PA

Sonntag, William Louis 
The Reverend James Davis

by David Gilmour Blythe

1849
oil on canvas
H: 30 x W: 24 inches (H: 76 x W: 61 cm)

Carnegie Institute, Museum of Art

Pittsburgh, PA

Blythe, David Gilmour 
The Residence of David Twining

by Edward Hicks

c. 1845-1846
oil on canvas
H: 26 x W: 29 1/2 inches (H: 66 x W: 75 cm)

Carnegie Institute, Museum of Art

Pittsburgh, PA

Hicks, Edward 
The Pittsburgh Bessemer Steel Company

by William Coventry Wall

1884
oil on canvas
H: 26 x W: 49 1/2 inches (H: 66 x W: 126 cm)

Carnegie Institute, Museum of Art

Pittsburgh, PA

Wall, William Coventry 
The Penance of Eleanor, Duchess of Gloucester

by Edwin Austin Abbey

1900
oil on canvas
H: 49 x W: 85 inches (H: 125 x W: 216 cm)

Carnegie Institute, Museum of Art

Pittsburgh, PA

Abbey, Edwin Austinnotes
The subject of this large narrative painting comes from Shakespeare's Henry VI: Part II, act 2, scene 4. Eleanor, having vainly urged her husband, Humphrey, Duke of Gloucester, the Lord Protector, to usurp the throne of England, has committed the treasonable offense of consulting sorcerers about the length of the king's life
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